Tag: witch

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Dream Journal

Retro Store, Tree Sacredness: Zinka

[ Zinka is a name that pops into my head during the process of remembering and trying to sort though the night’s dreams. I’ve been having difficulty motivating myself to write and publish them, as my own obligations have grown tiresome. I manage to both remember, write them down, and publish them. A noble effort I hope. ]

The landlord next door has cut down a tall tree with a chainsaw, piece by piece. All that’s left is a tuft at top. There must’ve been some city order as my landlord also just chopped down some plant cover.

By chance, I come across a new Amoeba records location. They’ve relocated it into a janky space that used to be Aquarius Records. Hand-painted artfully decaying banners hang over different sections of the store. Bins of music are stacked on retro acrylic shelving. Something about it is like the original GAP store on Ocean avenue in SF (though it was long before my time). They kept the bohemian charm but increased all the prices for the bourgeoisie. Reminds me of New York City in a way. As I’m coming round a corner, over a metal railing, I chance on the beginning of a three-way in hot tub. The two guys never see me, but I almost make eye contact with the girl — which feels intrusive, though I never get a bad vibe. I coolly direct my attention elsewhere, but know that whoever she is, she knows I saw everything.

I’m stand near a steep dirt-sided cliff, in the vicinity of a sacred tree. As it happens, a line of witches is coming back from a ritual and has to make their way up the hill. For a moment I worry I shouldn’t be there, but just as quick I’m able to do a random good deed by helping give a hand up the scrabble-y slope. The witches realize this is passing chance, but I earn their favor nonetheless. Smiles of many women.

In the retro store I find a vintage two-button Tetris game device in a plastic case. It’s quite fun to play around with, though you have to smoosh your fingers hard to actuate it. I write a note in pen for the person it belongs to, thanking them, when they hopefully find it again where I left it as found.

Short stumps of trees skid across long patches of dry grass, among sparse trees of a forest gulch. I realize people are whipping them with some degree of skill, making them seem to jolt across the landscape. The whips are long and it’s difficult to imagine how quick they must move.

Visiting one of my family member’s who’s living in my old college dorm, maybe my dad and/or my brother. He mostly sits at the computer in one room while I’m there. He’s divorced now, and I’m a bit irritated to discover that he’s using up all my candles. Not even enjoying them, just forgetting to put them out. I peek in bathroom mirror (I seem to almost get confused or lucid; can’t remember now why this detail was important). Outside, near the lawn and the parking lot, no one seems to notice the clear tube coming from the dorm’s window — though big enough it’s for multiple people to slide down. I look for a moment into a basement stairwell, which my family person has been down to the first level. I knowing there are actually three floors there. And not used for anything pleasant. I have the fortitude to go all the way down, but I have the sense not to desire to.

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Dream Journal

Which Witch Was It?

My wife and I are considering moving to Hawaii. I see a map with a border marking the cutoff, where one island close to the others technically is in the French Frigate Shoals.

Scavenging just down the street in my neighborhood, I come across an inflatable armchair. The dirty mismatched arms have come off. I have to fiddle with them for awhile to get them inflated and finally decide it’s comfy enough to drag back. Perplexingly, I don’t even think I want it — there’s already so much furniture in my apartment.

Down another street in the perpendicular direction there’s an art store with a notable elevator tower in front, which some neighbors have started slurring as the “hatelift”. In some recent incident they were accused of bigotry, but personally I believe it was misrepresented and they were slandered.

I enter a rival small art space/shop on the other side of the street, diagonally opposite from our apartment. It’s a low-ceiling place with white walls and a vaguely Spanish feel. One of the people there is like Ted Danson’s character Michael from The Good Place, but he’s drunk and chaotic. He offers me some delicacy from a fancy hexagonal box, which opens with elaborate unfolding rose wrapping paper inside — though actually plastic, not paper. This is what got him drunk, apparently. Another odd gadget he rakishly offers is a tiny non-functional crossbow with a rounded pin at the draw end, easily workable if the pin were removed.

There’s a plan hatched to trap him into being alone with a young 17 year-old girl in the group (there are ten people in the store now), then accuse him of taking advantage of her. In the end he actually doesn’t; I’m then asked, as the story’s observer, to decide who was indeed the ultimate schemer among the diverse motives of the assembled cast. Like a game of Clue. This is phrased in terms of all of them being artist/magicians, and with the question “which witch was it?”

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Dream Journal

Witch’s Hidden Jungle Bar in the Rock

Testing bulbs in a possibly broken glass double lamp. Appears that one side works, I try in the other side a more modern bulky electronic bulb, which has the problem of staying lit after unscrewed.

Pull what appears to be a minidisc MDLP deck from a garbage bin, in the center of a roundabout room. I ask my mom, who likely threw it away there, if I can keep it and if she kept minidiscs. She responds saying she doesn’t know why I want it, ejecting a thin bluish CD that’s apparently called MDLP. Next to it, I still see the little rectangular minidisc slot, and a number counter.

Walking along a deserted upper floor hallway of a long mall, a light rain in the pre-dawn hour (a highly sensory experience, near lucid). Days are much longer here and soon we can expect 20 hours of sunlight.

I reach the end of the corridor and a set of papered double doors, behind which is an Adobe-branded shop. There’s cutesy displays of different stores nearby and well-trained staff behind desks answering questions. I inquire about a friend’s craft store and eventually locate it myself, listed on a handmade sign in an upturned suitcase decorated with paper flowers. The attendant continues to try to help me so I must mime finding it again.

Sometime later I’m with my wife, driving a car via orange rope pulleys from the back seat. Might even have a tape deck playing. Eventually I’m convinced to take a more active “safe” position and climb into the front, and find that the rope wrapped steering wheel is much stiffer than expected. The car, like a stripped-down Volkswagen bug, is cruising atop a thin clearing of ridge in a scenic rocky jungle landscape below along all sides. In our path, we navigate through a large hole in a rock outcrop with a sophisticated obstacle: a giant rotating stone gear that lifts the car in its teeth. At its greatest height the car gets stuck; we have to scrabble down the granite rockface.

Our car essentially lost, we descend to the base of the outcrop. Another person now seems with us (perhaps the Olson twins little brother?). Improvising what we have, we project a homemade video onto the rock face, craning our heads upward to see through the foliage as best we can. It’s footage made from elements of the jungle around us, but altered/crafted by a human perspective — one striking image is of green parrots flapping through the canopy, parrots cleverly remade of lush green leaves. Though we’re still stranded, it’s nice to have created some cool art, something recognizably purposeful. We want to attract the right rescuers. I hope it’s bright enough in the tropical daylight, spread thin as it is across the huge formation of stone.

We’re not waiting long before I notice an unusual feature nearby our display. There’s a thin ledge high up the face with a partially-hidden door. We deduce this must be a famously remote establishment, retro-country themed, run by semi-legendary singer/witch Marni Knox (no relation to Marnie Noxon of Buffy, more like Stevie Knicks of Fleetwood Mac). This is an exciting opportunity and we enter the door post-haste.

Inside it’s dim and empty, feels like it could be at least 100 years old. Victorian woodwork has undergone numerous repairs and coats of paint. It feels cozy, rustic, special, yet uninhabited. I immediately want to explore. Despite protestations from my wife (and Reecy, who came in with us somehow) I climb through a small low food order window in the front foyer into the cramped but orderly kitchen. It’s an oddly-shaped room, everything carefully stowed away for what I assume is the off-season. I quickly find a stairway in the back, leading down to the cook’s bathroom, more levels for their living quarters, storage for holiday decorations (everything in its place)… I even look through a wall-sized set of white drawers in the bathroom, like something from a ship, and find supplies inside parceled out in neat little rows. From somewhere above I hear a companion yell something along the lines “that’s not how you thought Guinan would live?!” I leave everything as it was and continue down, the stairway built at odd angles to accommodate the narrow tower-like arrangement of rooms. Startled, in one corner I come across a pair of cardboard cutouts made to look like workmen or painters against a glass-brick wall, silhouetted with diffuse light and plants growing on the other side. I realize this is exactly the intended effect, except for curious intruders on the outside of the building.

Finally I come to the bottom of the stairs. They end in an unsupported diagonal span leading into an open courtyard behind Marni Knox’s inn, so far I can’t see the back. I spot my wife before she spots me, having found her own way down to the back garden. I lay low in the disused space behind the stairs, hoping to evade her so she’ll explore the tower herself (much more novel than having me share my findings, perhaps deciding not to even look).

I succeed, smiling wryly after I see her go upstairs. I only get a few steps into a plot of the garden, though, before a witch materializes close behind me. She regards me with a smirk, apparently having observed my sneaking about. She makes a brief pronouncement, phrased ironically as a question, to the effect of “now would you like to show me your true form perhaps?” My body vibrates and shakes off what looks like a layer of snow, revealing — or was it sloughing off perhaps? — the form of a long-haired dark housecat. While not as confusing in the dream, either way it’s obvious that the jig is up. I’ll be going along with whatever the witch wants. I realize on waking she must be none other than the proprietor, Marni Knox.

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Dream Journal

12 Elements, 12 Deities, 12 Powers

Heritage church out forgotten in the desert of my hometown. A screen of tamarisk trees hides it between my middle school and the mountains beyond. No one has visited in years. I climb the rafters inside, feeling transported to an earlier time. Perhaps the reason I wasn’t reported to the authorities exploring such a place is because I was just a lone kid. I hope they preserve this place, even though no one seems to love it but me.

An airplane journey, within a strange morphing and expanding fuselage. At the beginning several portal-making objects of power are released to 12 special passengers, forming the side of good. They are hunted by an evil master witch with broods of alien slave dogs, zergling-like. Some good-siders hide behind doors, some in hidden passageways, some in other time periods, some in other realities, all enduring attacks from the witch and her brood.

Each object they are blessed with are aligned with certain elements of the periodic table, and certain deities of the Greek Pantheon, granting them unique powers. They learn to wield them one by one — the dream is broken into chapters and has an unusually sophisticated structure.

Finally in the last chapter it’s revealed that Element № 1, aligned to Zeus king of the gods, has all the while been overseeing events unfold with their sublime omniscience. The left side of the movie theater inside the main fuselage has remained mysteriously empty during the pitched battles. It turns out to be a staging area for those special objects-holders who reach the last step in their training, now hiding in plain sight. They take their seats wordlessly, building anticipation one by one with each assembled conspirator, and finally together open the small sealed chamber to the right of the screen — that the witch and her hunters never even noticed. The supreme holder is revealed, having learned his training instantly, observing all, but withholding his omnipotence until the time was ripe.

The witch is gobsmacked, the energy in the room electric. She is defeated without a battle, finally seeing what has played out.