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Dream Journal

Bad Sleep: Sutra of BigBlueBirds

Repeatedly throughout the night, I startle myself into wakefulness. I seem to unerringly repeat a cycle of soothing myself and finding at the end of that process that I’ve now fully pieced together an abstract but alarming self-truth — a truth which worries me enough to rouse myself. Perhaps in fewer words, I keep just getting to sleep but then thinking I’m probably just a big loser. Even fewer words: the sleep? Real bad.

But with diligence, once my “morning-like” arising becomes inevitable and imminent, I manage to establish: well, I must’ve slept a little, because I can remember at least a few different scraps from my dream. Or was it two dreams? Note: how long have I been writing these, and I never worried myself about dream plurals? I captured a little dreamtime, from the other side, and here that just means I really went there.


The ledge of a steep, scenic, tropical vista. I’m on a bus, riding up a road to a zoo. Bit like the road up to the Oakland Zoo, where I went not long ago with a few friends and their babies. The bus is moving toward the left (relative to my view out the window). Finally, I spot what I came here to see: giant birds nesting on the edge of the cliff, the same cliff on whose ledge our bus is driving up, with the cliff’s face behind us. It sounds silly but these birds look like… like giant puffy bluebirds. I’ll never get this across to anyone but myself (no one else has seen this, unless I’m mistaken) so this part is only for future me: dude those fuckers were fucking majestic.

I had a brief moment of surprise at how impressive they were. I mean, I came all this way for them but I couldn’t know till I was really there. And I called out impulsively like a kid, “It’s Marahute! Just like Marahute in the movie!” It immediately occurred to me that the other passengers on the bus, mostly young kids under ten, probably had no idea what I meant. It’s from when I was a kid. So for those kids: Marahute was the name of a gigantic eagle who was in a cartoon movie called Rescuers Down Under. I liked it as a kid. I mean, I still like it, but I liked it then too. Marahute had this great nest on a steep cliff that seemed surprisingly cozy (well, cozy for a giant eagle). So she really was kinda like these birds. Giant bluebirds nesting right in front of me, and me riding comfortably past so many different ones all in a long row. Man, that still sounds so cool. It kinda was.

The other dream parts were less spectacular. Once off the bus, someone took my hammock (or chair?) and put it as part of an exclusive luxury area of parked buses. I wasn’t supposed to go there necessarily; everything about the situation was confusing. So I’m processing this annoying tiny dilemma instead of seeing stuff at this cool zoo. Well I assume it’s cool; those BigBlueBirds were all I saw of it as far as I remember. Hey, does anyone know if the people in charge of this bus area, this area, that people know that hammock there is just being borrowed? Would it be possible for someone, preferably with authority to — sorry I didn’t mean to imply you didn’t, I’m having a hard time sorting out my understanding here, I didn’t mean… just, do you think someone could please make sure the private renters know I should get that hammock back? I can come back later if I know when.


This transitions somehow. If I’m guessing, I went back on a bus and the interior of the bus became the interior of a narrow apartment living room. A new apartment, my apartment, an apartment which specifically is not the one I’m living in now in non-dreamtime. But it had the same name. And we got it through some kind of arrangement, a swap or deal or something, giving up the old one. That old one is where I’m currently writing this dream down in bed. And I’m crying. Big pitiful tears, crying in my own living room, sad because I feel like this place is so, so much worse. Worse for me. Because I had the old one, once. The room here has smaller windows that nevertheless look out from every corner. A robust table, some generic vases. I think of it not as a living room, my living room, but the room with the mural. The bottom half of every wall is painted with a repeating design, of tropical leaves with each leaf a different color — but it just strikes me as amateurish, or incomplete, maybe abandoned. I feel like it should spark joy but it doesn’t. Coincidentally the mural was painted by this Jewish musician here in SF, somebody cool who I used to think I could be friends with, but our lives have since drifted so far apart I simply know: “friends” isn’t in the cards.

Jascha, that guy was you. I think you’re still in the city. Is this weird? I’m sorry if I made it weird, Jascha. I suddenly got too intimate with myself so pivoted by talking to you for a bit if that’s all good. To my knowledge you’ve never even done any murals. “Jascha needs mural-painting like a fish needs a bicycle”, that’s what I always say. Which is a terrible thing to say if you’re a full-time muralist instead of a musician now, eep. I’m sorry I never got the chance to perform my due diligence before I used your actual name this way. I hope that never causes you an issue; it’s just that I took an intentional detour as I wanted to avoid wallowing again just now exactly as I did in that dream. Maybe I said that before; I’m sorry if I’m repeating myself here. This just feels important so thank you for understanding. This conversation wasn’t your idea and I’m trying not to repeat myself — I’m sorry again — (keep it together, man) — it seems obvious that your involvement in this narrative was always rather incidental until I needed a, a, aaaaa device that’s the word and your name was right there, ready, when I reached for one. I hope that’s a decent way to treat a real person.

I really do remember such a dude (if anyone besides him is reading this).

A curiosity then, that since I happen to know he painted that boring mural (in my dream, this is about my dream last night remember?), that I also know that Jascha had once been in that same room, in that new place, painting what became a plant mural that some acquaintance would later find merely mediocre, while this (this to you, Jascha) rando indulgently wracked the depths of his self-contemptible despair. It’s not even a coincidence, your involvement in this story Jascha, as our times in that place didn’t co-incide. We both merely existed in that less-good place with its mere similarities, that place which reminded us of better places. The tropics, maybe, but that stretches belief doesn’t it. That “new” living room and that “new” apartment. Probably, it wasn’t even all that worse for you or for me. Maybe it was almost not bad. But I wouldn’t know, because the truth is I just missed the old place and was powerless to do anything about it — except go ahead and miss it, miss it so %#&{@!!! much, in privacy, alone. Alone but willfully haunted. So many ghosts yet feeling never enough.

And that was when I was sitting crying in that (tinier) living room; sad, but also sad about being sad. Because that’s something I could do. Centered among all those household things with which I was newly familiar, that I had no want to ever touch, all that innocent garbage, I simply sat with and experienced that feeling of missing my old things which were gone, which I could never again see or smell or hold or be inside, but which I still wanted with me as however I imagined. Such a terrible power. I lied to myself to make it feel worse on purpose. I wanted to intensify everything and thereby use it all up. Maybe I only hoped I was lying, that it was just such wallowing, not real at all, and I instinctively circled around actual release because I knew it would mean I’d lose one more thing. The last thing, maybe keeping me alive, because here I am.

I was piteous then, and all this is piteous now tbh, yet how incredible and how startling, that even my own pity I never wanted. I never did accept it. My pity.

I think we can be correct when we do that. Some people don’t do that. People are able to take in every other misfortune and regret and pile of shit they’ve trodden upon in their lives and say, it’s ok for me to be sad about this, and oh btw all those once-happy things. But the sadness itself, accepting our own regrets for who we were all along: it’s possible to just nope out at the last second and say “don’t give me my own pity — I’m not giving up hope — I’m not writing that down — I’m not interested in making a dream journal about this one.” What is that, some cheat code? What’s it supposed to do, keep the pity you don’t want? We do the wrong thing, the wrongest wrong thing in some situation, but weirdly because it could be the best right thing to do? Right and wrong aren’t opposites. Wait they’re not? When we define them as only opposites we miss the edge cases like this, which says to me: right and wrong aren’t opposites. You don’t always have to choose one. Maybe they’re irrelevant, or maybe you get both (which is more unusual). So maybe do what you fucking want and want what you do. Or some other confusing justification that only I seem to view as valid. None of this makes sense anymore to you dear Jascha, I sure do hope. Language is limiting, and it’s-ain’t-no-fault-a-mined.

So Jascha you’re are a musician, huh. Do you remember that song “Row, Row, Row Your Boat” and how it goes? It’s an old one, yeah. Do you still like singing it?

Here I’ll add the little nugget of wisdom which has helped so much of my own insight over previous years: you are the room you’re in. Whatever that means. If it seems important, try to remember it. Repeat it if you have to.

You are the room you’re in.

Fuck this. Fuck him. That poor fucker… sorry, not you Jascha. I refer to whatever fellow might feel like he still needs to be in that private misery room. Get your fucking shit together or keep crying: those are some options my guy. Really have my sympathies dude, but I’m also not sure what to do about this situation and so I think it’s best for us both if we just stop here.

Yikes. Um, that’s sounds like the end. Well then. The dream did not have a proper ending anyway, as I recall.

Ok wait. To the real Jascha: hello again ???? I was inspired to include in the title here the word “Sutra”, both because it just felt so chill and righteous and apropos, and I’m like from California — can you tell? — and because it obviously jibes with what I can guess is (how I’m gonna put this?) your whole Buddhism deal. I’m not usually this weird I don’t think. I dunno. Still feel weird though. Thank you for letting me borrow your name. It was unexpected for me also.


Maybe this is one of those dreams I can remember long afterwards. Honestly though, maybe not. I get flashes and impressions from past dreams a lot, more since I started writing them down. It’s hardly a predictable pattern though. I’m glad this one got inscribed, you know. I’m really surprised I was able to remember it as well as I did — right now it’s 24 hours later as I’m finishing this up. Might’ve even been good writing for once [future Orin will make that evaluation at such-and-such time].

But who cares. Trying to make this exercise for something? I personally haven’t found much success with that. If I do it though, usually something somewhere in my life gets affected in interesting small ways (not so randomly), and I’ve generally liked the way it affects things. There are always exceptions. Just something to do.

Hopefully this motivates me to write down more dreams in future. Those bluebirds were cool.

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Dream Journal

Witch’s Hidden Jungle Bar in the Rock

Testing bulbs in a possibly broken glass double lamp. Appears that one side works, I try in the other side a more modern bulky electronic bulb, which has the problem of staying lit after unscrewed.

Pull what appears to be a minidisc MDLP deck from a garbage bin, in the center of a roundabout room. I ask my mom, who likely threw it away there, if I can keep it and if she kept minidiscs. She responds saying she doesn’t know why I want it, ejecting a thin bluish CD that’s apparently called MDLP. Next to it, I still see the little rectangular minidisc slot, and a number counter.

Walking along a deserted upper floor hallway of a long mall, a light rain in the pre-dawn hour (a highly sensory experience, near lucid). Days are much longer here and soon we can expect 20 hours of sunlight.

I reach the end of the corridor and a set of papered double doors, behind which is an Adobe-branded shop. There’s cutesy displays of different stores nearby and well-trained staff behind desks answering questions. I inquire about a friend’s craft store and eventually locate it myself, listed on a handmade sign in an upturned suitcase decorated with paper flowers. The attendant continues to try to help me so I must mime finding it again.

Sometime later I’m with my wife, driving a car via orange rope pulleys from the back seat. Might even have a tape deck playing. Eventually I’m convinced to take a more active “safe” position and climb into the front, and find that the rope wrapped steering wheel is much stiffer than expected. The car, like a stripped-down Volkswagen bug, is cruising atop a thin clearing of ridge in a scenic rocky jungle landscape below along all sides. In our path, we navigate through a large hole in a rock outcrop with a sophisticated obstacle: a giant rotating stone gear that lifts the car in its teeth. At its greatest height the car gets stuck; we have to scrabble down the granite rockface.

Our car essentially lost, we descend to the base of the outcrop. Another person now seems with us (perhaps the Olson twins little brother?). Improvising what we have, we project a homemade video onto the rock face, craning our heads upward to see through the foliage as best we can. It’s footage made from elements of the jungle around us, but altered/crafted by a human perspective — one striking image is of green parrots flapping through the canopy, parrots cleverly remade of lush green leaves. Though we’re still stranded, it’s nice to have created some cool art, something recognizably purposeful. We want to attract the right rescuers. I hope it’s bright enough in the tropical daylight, spread thin as it is across the huge formation of stone.

We’re not waiting long before I notice an unusual feature nearby our display. There’s a thin ledge high up the face with a partially-hidden door. We deduce this must be a famously remote establishment, retro-country themed, run by semi-legendary singer/witch Marni Knox (no relation to Marnie Noxon of Buffy, more like Stevie Knicks of Fleetwood Mac). This is an exciting opportunity and we enter the door post-haste.

Inside it’s dim and empty, feels like it could be at least 100 years old. Victorian woodwork has undergone numerous repairs and coats of paint. It feels cozy, rustic, special, yet uninhabited. I immediately want to explore. Despite protestations from my wife (and Reecy, who came in with us somehow) I climb through a small low food order window in the front foyer into the cramped but orderly kitchen. It’s an oddly-shaped room, everything carefully stowed away for what I assume is the off-season. I quickly find a stairway in the back, leading down to the cook’s bathroom, more levels for their living quarters, storage for holiday decorations (everything in its place)… I even look through a wall-sized set of white drawers in the bathroom, like something from a ship, and find supplies inside parceled out in neat little rows. From somewhere above I hear a companion yell something along the lines “that’s not how you thought Guinan would live?!” I leave everything as it was and continue down, the stairway built at odd angles to accommodate the narrow tower-like arrangement of rooms. Startled, in one corner I come across a pair of cardboard cutouts made to look like workmen or painters against a glass-brick wall, silhouetted with diffuse light and plants growing on the other side. I realize this is exactly the intended effect, except for curious intruders on the outside of the building.

Finally I come to the bottom of the stairs. They end in an unsupported diagonal span leading into an open courtyard behind Marni Knox’s inn, so far I can’t see the back. I spot my wife before she spots me, having found her own way down to the back garden. I lay low in the disused space behind the stairs, hoping to evade her so she’ll explore the tower herself (much more novel than having me share my findings, perhaps deciding not to even look).

I succeed, smiling wryly after I see her go upstairs. I only get a few steps into a plot of the garden, though, before a witch materializes close behind me. She regards me with a smirk, apparently having observed my sneaking about. She makes a brief pronouncement, phrased ironically as a question, to the effect of “now would you like to show me your true form perhaps?” My body vibrates and shakes off what looks like a layer of snow, revealing — or was it sloughing off perhaps? — the form of a long-haired dark housecat. While not as confusing in the dream, either way it’s obvious that the jig is up. I’ll be going along with whatever the witch wants. I realize on waking she must be none other than the proprietor, Marni Knox.

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Dream Journal

all dreams can be interpreted as custom tax advice if you want

Ok, so first off, I should say that I’m not sure what the title means either, but it was funny enough to jolt me awake and get me to write this down — so there you go. Now here’s some custom tax advice (???):


Arriving at the driveway of my childhood home in a fully-laden pickup truck, where I switch out with her to drive. I roll the pickup up the drive a little too slow to make it all the way, somehow trying to do the opposite of backing up.

Unloading is uneven. On the walkway to the front door I randomly remember a colleague’s custom parameters he programmed for CRUD, realizing the letters (only three of which are present) are his daughter’s initials S, L, P and T.

The front door is open and I walk right in. The place has wall-to-wall Saltillo tile floors like I remember, and it’s currently getting cleaned for new residents to move in. I shout a greeting to the maid mopping the next room. I start to record a tour video so I’ll have something to better remember childhood home. The interior bathroom (across from my smaller childhood bedroom) is bigger than I remember, a wide open layout with stalls, high ceilings, and tile gutters. I peek around a couple corners and there’s a cavernous shower stall with a urinal on the opposite wall. I get the impression that it’s architecturally significant, perhaps something shared with the home next door.

I change my mind about the video, deciding it’s a wasteful thing to record my entire walkthrough. I climb over the ¾ wall out of the bathroom itself, and the space is bigger, public, with a few cheerful gay folks I seem to know milling about. Feels like a neighborhood thoroughfare.

Things turn serious and sweetly mournful as I abruptly switch into a greeting card poem moment: trying out different dinosaurs peeking just above a mirror-calm pond gazing at the moon, and reading poem text printed against the sky. Out of the water, the color-coded dinosaur group realizes they can inflate their necks bigger, making them feel larger and safer. In a humorous note, a big predatory crocodile standing right behind them realizes the same, inflating his whole body (looking like the croc in the Don Bluth movie All Dogs Go to Heaven).

Ending that sideline as suddenly as I started, now walking over the cracked tile floors of a derelict mall, toward the wide entrance of an abandoned Sears store. While trying to demonstrate something with my phone, I trip and it slides all the way into an opened elevator door. I monologue about the predictable timing of these kind of things, expecting the doors to shut on cue as I get within reach. But I make it, surprisingly. Honestly I’m still a little flummoxed.

I talk with a cool gay black guy wearing bug-eyed glasses at a check-in desk at the Sears entrance. A brief conversation ending with the Rocky Horror “antici-” … “-pation” joke, which he gets — but the other people at the desk find bizarre.

Peering though a lens on my phone at older pictures from this mall, I discover some that were taken in sequence. In frame-by-frame holographic 3D, I watch a messy, fun, 80s-looking Florida blonde, carrying shopping bags, in a red dress, slip/fall on her butt and laugh.


In our bedroom here in the Fartpartment, we’ve rescued a paper bird. It’s fragile, rough, an appearance like folded newspaper. After a long time caring for it, one day I see it actually flap itself down from the top windowsill onto the bed. It picks up a little upside-down ladies hat and flies it back up to use it as a nest.

I think strongly about how to keep raising this vulnerable little bird, cognizant of how it needs an outside space but that rain would destroy it. I come up with a plan to build a row of little birdhouses underneath the apartment’s outside stairway awning.

The paper bird grows up/time travels into a cute and athletic girl, reminding me of some girls I think I know (Kenna M., Lee T.). She’s wearing workout clothes, hanging out with me on our back stairway. I put my hand on her bare midriff in a flirty way, noting how much flatter it’s become since I last met her. I idly climb upwards on the underside of stairs, checking out the cool moss growing through the stair cracks, feeling very energized and athletic myself just being around her.

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Dream Journal

Borrowed Lambo, Twin Mistake, Prime Distraction

My wife is on the phone. While I happen to be listening in, I hear a family member on the other side say very specifically “hey, your dad has lost his life”. I have an instantaneous reaction of FUCK, followed by (embarrassingly) a feeling that at least now things are closed. Maybe we can inherit something now, even. I bolt awake at 3:21 am.


I park a borrowed Lamborghini on the street outside a hotel on the waterfront of the bay. Perhaps I used to work there. It’s fancy and expensive, but the neighborhood next to it isn’t. I spend a good long time exploring inside during the uncrowded early morning golden hour — traversing interior suspended walkways, decorating for Christmas, and discovering a second-floor gender-neutral bathroom labeled “Theirs”. One curiosity I come across in this mall-like atrium-like space is a very amusing bird sculpture/toy, finding one cleverly hidden mechanism after another to press with my fingers.

In the back row of a wedding, in an upstairs conference room overlooking the bay, I run into my friend Meredith. I show her the nifty bird sculpture (now transformed into an owl) and offer it to her. I also mention that someone trusted me with the Lamborghini out front. But when I go outside again it’s not there. I orient with the nearby landmarks and the saved location on my phone, inspect around and find a note in hard-to-read scrawl — something about average monthly insurance for it being $1200, about “only 12 inches of cocaine” — the obvious implication being that the car will be returned if I pay them what they erroneously believe I actually pay.


Walking up an indeterminate slope, behind my college girlfriend Jenna & my actual wife, others, but for a moment I can’t remember who it was I married. Finally I do remember, and am thankful. I lay down next to my sleeping wife (now more like a long-ago redhead classmate of mine Lauren Wycoff, or the cartoon redhead hottie Jessica Rabbit) and as fond surprise snuggle behind her in bed, and we have sex. The dream actually proceeds through the whole experience: I lube up, it’s quiet and intimate, I finish inside. But for some reason my wife has never told me before that she has a twin! This is very embarrassing (for all of us) yet no one seems upset. Just a never-talk-about-it thing I suppose, although the twin seems… less upset than you’d expect. Perhaps a happy mistake.


A former British prime minister (like Theresa May), exchanging questions with a circle of Americans about things we’ve done. Tangential to her question — something she almost certainly didn’t bargain for — I tell a bizarre rambling story both fascinating and true (within the dream) of a town I visited in Oregon. Not finding our way in despite detailed instructions; driving past a graveyard to get in; discovering the winding dirt roadway between two other roads along a grassy and forested flat area. Picturesque clouds, children’s book sun, mountains in the distance; a rustic cabin near a pixie-haunted broadleaf tree; the wilderness beyond like a dewy lawn.

The next day I text the Prime Minister, having remembered the name of the place: Rasp, Oregon. While it does bear some resemblance to the town of Sisters, Oregon (which I visited this summer), I’m almost sure this was a place I’ve been before. It all may have come from another dream another night, one unwritten, remembered only in other dreams.

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Dream Journal

Bathroom Hummingbird

I come out of the bathroom, and a hummingbird follows me out, perching on my shoulder.

$36 shoes. Comes with an abuse form filled out during a factory inspection.