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Dream Journal

Meeting the Rust People

I’m suddenly awoken by my wife barging into the bedroom, asking if I’m asleep. My fight-or-flight is triggered and as I lay in bed calming down again I can recall much, but I fall back asleep and what I recall is: wooden pegs partially painted blue clatter noisily from a row of horizonal posts where they were attached. (I fall asleep around 10pm and this happens around midnight.)

Serving a crowd of fancy folks out on a balcony overlooking Las Vegas, maybe in the Luxor pyramid. Speaking slowly up to it then ingratiating myself as a servant; meeting people like Trump and Boris Johnson.

After talking with Trump he leaves via my living room. I come out afterwards and see the shocked faces of my unexpected guests, my old roommate Emily W. and her friend I don’t recognize, waiting on my couch. I briefly confer with a series of representatives from tribes of widely different people, including the a male/female pair of Rust people who pursue a specific variety of magic. The discussion concluded, the slightly scaled-down duo flip sideways down into the couch and vanish through a portal.

I spot a dedication sign at the entrance to a random town in Florida simply saying “books & my wife”. I infer this as a clear if esoteric reference to supporting Trump, something fake-ish he said in response to being asked what he’d want on a desert island. A little ways on there’s a homey sign on a cabin with a charming curse of “by Meatloaf’s Mother and the Queen Of Sheba”.

Right before I wake up I’m playing a GTA-like game with simple accelerate/brake controls. Driving as a little old black lady, I just try to round corners as normally as possible.

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Dream Journal

Strange Forms of Water in Coves

Observing shapes of water in a bay from cliffside above. A lighthouse or dock sits amidst what seems like turbulent waves, which coalesce into nearly vertical walls of water rising from the estuary floor. They form sophisticated mirrored patterns. An informational picture-in-picture appears in the corner and I scroll around a wider view, examining the next cove over — where the shapes are less grandiose but more distinct. The sharp outlines of the PIP really help discern the unusual forms, which are mesmerizing.


Riding in the backseat with my dad driving down a road in Palm Desert. A tiny bit on edge as I’d normally be driving myself, but I’m handling it ok. We round a slight curve and he has to brake hard and quickly merge out of the left lane as there’s a wicker bench in the road. Briefly I mention how lucky it is he was only going 22 mph, the same speed I choose to go on that particular stretch. I volunteer to get out and move the bench aside if he stops at next place to pull over. But that’s a country club, and instead of just stopping by the side of the road in the little turnout my dad drives around their big complicated parking lot for a bit till I tell him to just pause. I jog along under some lush overhanging foliage along the outside of the road, mindful of cars that could be coming. I realize I’m not fast like I used to be, and the turnout was pretty far from the bench. I finally round the bend and see it’s actually a parked car without even blinkers on. The task now changed, I dash across the road to see if I can find the driver. I do, on the second floor of a weird little ski slope store. Despite much patience on my part they seem disinterested in even listening. I realize, oh, this person just feels entitled — I can’t rationalize the problem to them because they don’t care about other people.

Running airline tubing in a long narrow kink club space where I work/volunteer. I remember the first time I went there, the entry corridor (made up of personal side rooms for storage/changing) seemed to take forever to walk down; now I barely notice. While fixing something in-between the gate and the front door I get locked out. I was half-expecting this so I’m not stressed, I just climb carefully over the old corrugated roof, taking my time. Spot landlord of the building down ina courtyard and pause, not wanting to meet him. Thereafter, examining the tank, I decide we can’t have a keyboard in the aquarium despite that it looks pretty cool.

Special event room with bunch of kids partying. It’s like a home movie night, with pull-out beds in a bleacher stand configuration, popcorn and snacks provided too. But it’s a small space finished in bamboo, smaller than 10′ x 10′, and I consider the COVID air problem. There’s a nitrous dispenser stocked on the bed, but I’m not going to point it out to the kids — one of them seems to know, and calls it a whippet.

Not long after, I’m cleaning up a couch in what is kinda the top floor flop pad of a hostel. It mirrors the previous space, but I can’t say if it’s the same. I manage to dislodge an old plate that’s been wedged into the cushions for a good long while, discovering in the process it was put there by someone I like. Although I’ve done a great job cleaning the couch, if I report this find I know my bearded and newsboy-capped friend might get in trouble.

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Dream Journal

Three Wines: Hard, Mineral, Spicy

At the end of an unpaved road in the desert, dunes on either side. Searching for a spot to park and sleep in the overland SUV. Up a short side road is a private campground, but they’re full of long term RVs after recent redevelopment. I get the impression people aren’t even staying there.

Viewed from above, I survey another hilltop location once a vantage for scenic stark beauty, recently built up with houses. A bit of the outback lost to civilization. Overpriced houses, packed tight, the parking all in the center of a cul-de-sac. They cite new houses right up against fences built the year before, knowing the residents only work in offices nearby and couldn’t care less.

We leave the end of the dusty unpaved road, passing through a rough-hewn log gateway — something you might see built by the orcs of Warcraft, yet having the semblance of an old English gallows gaol. We’re waved on; everyone here knows us. Past this point the car accelerates, as if on a track, rocketing toward a towering city. Sooner then expected we pass under vine-laden bridges and all manner of infrastructure. It’s so sudden that while I’m zoning out looking at an apartment building I’m struck by the baffling thought of just how many human lives are now within my eyeline.


An unexpected bit of FOMO while camping at an event that occurs during Burning Man. Cited on a hill with acres of underground bunker to be explored, dirty, dangerous, and wild. A total of ten levels. I’m warned that the lowermost has toxic mud that can get tracked up when trod by the unwary.


Sharing a house with longtime roommates. The suggestion of renovating the walls comes up while I’m off nearby playing on the floor, and I notice that behind each of the wall panels — and I deliberately check them one by one — is pressure treated wood. We couldn’t replace them if we wanted. I’ve been quiet for a while and wait for the opportunity to speak up, hoping I needn’t wait too long.


A man is hoping for a new income stream by advertising his well-trained dog as a performer. The dog is loyal and easily performs for the scheduled entertainment industry boffs who’ve come to scout for talent. I’m pleased to watch him do so well, but understand there’s only so many roles one dog can get; he will always still look like himself. I can already imagine the man (who reminds me of my cousin Ricky) pushing his dog into more absurd and dangerous stunts with the goal of getting more business. I can imagine it getting bad enough to border on animal abuse.


Ensign Tilly fakes her death at an airlock. She lands underneath in a metal rack.


Three wines: hard, mineral, spicy. No explanation left of this detail, a curiously distinct detail nonetheless.

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Dream Journal

Big Old American Car

Huge classic American car with rows of comfy seats. The driver’s chair is, conveniently, behind a late night TV talk show hosting desk. But front window is (inconveniently) a small rectangle through another room from that seat. There’s hardly a safe way to drive this behemoth — despite being rated as relatively easy for the time.

I’m driving the beast around, having to pass to the right of stopped car at an intersection. This is only made possible by piloting the massive car via remote cameras.

I noticed that there is a garage sale, a thrift shop on side of road. this makes me think the town is like Virginia City. Memorably, there was an outdoor thrift stop in Virginia City which got snowed on while I was there.

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Dream Journal

Criss-Cross Causeway, 777-11-21

I encounter my crush topless in my backyard. She has no nipples though, a smooth flat chest. From context it’s completely unclear if this is a normal state of affairs. It does tend toward disconcerting for us though. Over the course of our conversation they manage to grow, though not returning quite to normal — more like odd unpainful welts in their place. Meanwhile, a party three backyards over continues to rage on (a strange detail is this exact thing was happening as I went to sleep).


After travelling along a causeway, in a car with my male family members, we pull into a gas station. My turn to drive and I immediately pull around and run over the curb at the corner of the pump. Nearby there is a famous but struggling restaurant, Jalisco Taco. They’re known for the great human contact of the restaurant setting. Not so great during the pandemic, obviously.

Young Patrick leaves the little coupe, and inside we examine a map marking out where we’ve been today. There and back again across the causeway, also showing what sections I’ve driven. A feeling of being young and uncertain about what I was supposed to accomplish.

I receive a call from a relative on my dad’s side. The caller ID has changed from a very expected 18626 to the mysteriously intentional-looking 777-11-21. (I feel like I never used to dream of specific numbers, but this was very distinct. I have no impression of its importance, but it was certainly a number tied to an emotional reaction.)

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Dream Journal

Witch’s Hidden Jungle Bar in the Rock

Testing bulbs in a possibly broken glass double lamp. Appears that one side works, I try in the other side a more modern bulky electronic bulb, which has the problem of staying lit after unscrewed.

Pull what appears to be a minidisc MDLP deck from a garbage bin, in the center of a roundabout room. I ask my mom, who likely threw it away there, if I can keep it and if she kept minidiscs. She responds saying she doesn’t know why I want it, ejecting a thin bluish CD that’s apparently called MDLP. Next to it, I still see the little rectangular minidisc slot, and a number counter.

Walking along a deserted upper floor hallway of a long mall, a light rain in the pre-dawn hour (a highly sensory experience, near lucid). Days are much longer here and soon we can expect 20 hours of sunlight.

I reach the end of the corridor and a set of papered double doors, behind which is an Adobe-branded shop. There’s cutesy displays of different stores nearby and well-trained staff behind desks answering questions. I inquire about a friend’s craft store and eventually locate it myself, listed on a handmade sign in an upturned suitcase decorated with paper flowers. The attendant continues to try to help me so I must mime finding it again.

Sometime later I’m with my wife, driving a car via orange rope pulleys from the back seat. Might even have a tape deck playing. Eventually I’m convinced to take a more active “safe” position and climb into the front, and find that the rope wrapped steering wheel is much stiffer than expected. The car, like a stripped-down Volkswagen bug, is cruising atop a thin clearing of ridge in a scenic rocky jungle landscape below along all sides. In our path, we navigate through a large hole in a rock outcrop with a sophisticated obstacle: a giant rotating stone gear that lifts the car in its teeth. At its greatest height the car gets stuck; we have to scrabble down the granite rockface.

Our car essentially lost, we descend to the base of the outcrop. Another person now seems with us (perhaps the Olson twins little brother?). Improvising what we have, we project a homemade video onto the rock face, craning our heads upward to see through the foliage as best we can. It’s footage made from elements of the jungle around us, but altered/crafted by a human perspective — one striking image is of green parrots flapping through the canopy, parrots cleverly remade of lush green leaves. Though we’re still stranded, it’s nice to have created some cool art, something recognizably purposeful. We want to attract the right rescuers. I hope it’s bright enough in the tropical daylight, spread thin as it is across the huge formation of stone.

We’re not waiting long before I notice an unusual feature nearby our display. There’s a thin ledge high up the face with a partially-hidden door. We deduce this must be a famously remote establishment, retro-country themed, run by semi-legendary singer/witch Marni Knox (no relation to Marnie Noxon of Buffy, more like Stevie Knicks of Fleetwood Mac). This is an exciting opportunity and we enter the door post-haste.

Inside it’s dim and empty, feels like it could be at least 100 years old. Victorian woodwork has undergone numerous repairs and coats of paint. It feels cozy, rustic, special, yet uninhabited. I immediately want to explore. Despite protestations from my wife (and Reecy, who came in with us somehow) I climb through a small low food order window in the front foyer into the cramped but orderly kitchen. It’s an oddly-shaped room, everything carefully stowed away for what I assume is the off-season. I quickly find a stairway in the back, leading down to the cook’s bathroom, more levels for their living quarters, storage for holiday decorations (everything in its place)… I even look through a wall-sized set of white drawers in the bathroom, like something from a ship, and find supplies inside parceled out in neat little rows. From somewhere above I hear a companion yell something along the lines “that’s not how you thought Guinan would live?!” I leave everything as it was and continue down, the stairway built at odd angles to accommodate the narrow tower-like arrangement of rooms. Startled, in one corner I come across a pair of cardboard cutouts made to look like workmen or painters against a glass-brick wall, silhouetted with diffuse light and plants growing on the other side. I realize this is exactly the intended effect, except for curious intruders on the outside of the building.

Finally I come to the bottom of the stairs. They end in an unsupported diagonal span leading into an open courtyard behind Marni Knox’s inn, so far I can’t see the back. I spot my wife before she spots me, having found her own way down to the back garden. I lay low in the disused space behind the stairs, hoping to evade her so she’ll explore the tower herself (much more novel than having me share my findings, perhaps deciding not to even look).

I succeed, smiling wryly after I see her go upstairs. I only get a few steps into a plot of the garden, though, before a witch materializes close behind me. She regards me with a smirk, apparently having observed my sneaking about. She makes a brief pronouncement, phrased ironically as a question, to the effect of “now would you like to show me your true form perhaps?” My body vibrates and shakes off what looks like a layer of snow, revealing — or was it sloughing off perhaps? — the form of a long-haired dark housecat. While not as confusing in the dream, either way it’s obvious that the jig is up. I’ll be going along with whatever the witch wants. I realize on waking she must be none other than the proprietor, Marni Knox.

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Dream Journal

Heromum on the Seashore

A high wall, like a seawall, and behind it people I went to high school, walking. Reminds me of a gigantic pool I’ve been to in many dreams over the years.

Dropped into an alcove/alley with a plaque, a weird little oddly sided polygonal space. Behind a disused door I gain access to the 2nd-story of an RV house. My key fits in the ignition of the complicated control panel. A quick jump in narrative to the aftermath of driving/flying/crashing it into a burned-out tree (which is practically charcoal).

As I awake I have a fantasy of a place called Heromum: on the seashore, a hot spring on the edge of the ocean in the Greek province of Laystatia.

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Dream Journal

Belle Delphine’s Tiny Skull Machine Concert

Belle Delphine invites me to her concert, from a corner balcony at the edge of the venue. She seems really nice and I’m even considering joining her Patreon/Onlyfans for $5. Held inside walled-in park grounds that usually hosts metal shows, once I’m inside I’m not surprised the crowd is mostly guys. It’s a pretty good concert for someone not otherwise known as a singer/musician.

Random piles of cool little toy skulls can be found in stacks, many different shapes & colors. I collect as many kinds as I can. In a confined screened-off space I come across a squat bulky machine totally covered in controls and meters, like Dalek steampunk art or fused-together antique medical devices. But my boating friend Marc Roper comments that to him it “doesn’t look like they’re just kludges” (a.k.a. greeblies, that is to say not just for show). Chicken John does an explanatory bit in the middle of the show for Belle in order to explain the machine: we are to drop the skulls into the top of the device to collect a variety of corresponding prizes. I’m happy that I’m set to collect a lot.

It’s now very crowded with fans behind the machine, among some open-air shelves. Crouched in a small ball near a top shelf, I try to cheer up a sad withdrawn little Triceratops (like Sarah from The Land Before Time).

Part of the show involves an experiment where the crowd is allowed to feel Belle’s outstretched leg. This seems to go well; perhaps something of the peer pressure of not wanting to be the guy that caused the fun to stop. She’s really engaged with her audience and seems to interact on the same level. Soon she is milling among the crowd after the performance and personally thanks me, using my name. I question aloud how she could’ve known my name, and my friends parrot back, perhaps mockingly, “I dunno Orin, how did she know your name?”


Driving a junker car through dusty parts of my hometown. As I drive along, alone, I chuck my signature ping-pong balls with skulls melted into them in the backseat. I’m listening to the radio (AM 1205?) because I don’t have my usual phone transmitter. Only just make a yellow light at a large intersection against a long line of cars going the perpendicular direction — while crossing, I maintain my eyeline on the tall tamarisk trees on the opposite corner.

From memory, I park in the driveway of the address I think I’m headed — 1284 — next to a woman parked in a car there already (it’s a long driveway so there’s room for me to pull right beside her, then back up). If this is the wrong address, I figure she’ll just have a close encounter and nothing will come of it.

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Dream Journal

X-ARDOS

I don’t know why the dream must be named what it is, but it was the strongest word in my head upon waking. Perhaps it has some relation to bardo, the Tibetan spiritual state in between death and rebirth.


Three of us are traveling on a long motorbike, my friend Aislinn, my wife and me. I’m driving from the farthest rear, which proves difficult on the freeway. As I’m about to take an exit, another motorcycle passes me on the right making things just that much more difficult. This exit is somehwere in the state of Iowa. It strikes me how much like every other freeway exit in America it is, yet with subtly apparent differences that make it like Iowa.

Rounding through a parking lot and a few low buildings, I swing around to a gas station (something like a gas station anyway) that’s broken down and is now freezing everything around it. I comment that it’s gonna be some expensive snow, and we decide to park and check it out. That proves somewhat difficult, as I back into a space alongside a cinderblock wall. The car ignition also seems to freely turn with any key I try, which is clearly something else to be concerned with. The vehicle is an SUV now, more like the old Nissan truck I used to drive (and drove from Iowa).

As soon as I park and get out, Aislinn asks if I worry about parking in front of that door, pointing to a barred gate which looks into the courtyard of an African monastery for junior monks. I curse and start to park all over again — though the neighborhood looks shabby, there’s clearly a lot going on. I do more back and forth nudging into a space, now there are even more cars to work around.

When I finally make it out, I’m at a family reunion for my Dad’s side. They’re loud and boisterous, very familiar with each other. The car becomes some white-furred furniture or a stuffed figure. There’s an exchange of gifts, and I must find a place to stack long tentbag-like objects on a similar white-furred bed (not sure if it’s the same, but it’s a different location). I correct my dad and place these objects off the head of the bed, onto the sheet, to minimize dirtiness.

I get invited to follow my uncle Vince on a short tour. I follow him while adjusting a set of recording glasses, falling behind because of them after he exits a set of double doors, then jogging after to keep up. I feel younger and younger in this dream, my role shifting. My uncle and I tour a dark, mostly empty parking garage, a caverous metal warehouse-like space, while he narrates the story of various murals telling stories of our family. (On reflection, this almost sounds like a transplanted version of Aboriginal Australian lore.)

One particular story, high up on a side wall, tells the story of a broken branch hanging high in a pine tree, staying stick even in strong wind (I’m almost certain this story is from another of my dreams a long while ago). Something all my male relations witnessed at the time, some broader story I can’t make out now. I confess how even though I never met my great-grandfather I have a nickname for him.


After a great effort to remember am earlier set of dreams, I can recall being transposed back to Australia in 2006, nostalgic for when I actually visited. I’m physically emobodied in that time again, as I was when I was really there. I stand outside a grand modern airport or mall, manicured fountains outside, the curved steps leading down to a light rail transit line. I carry an iconic backpack I’ve used forever in Australia (not accounted for in waking life) which is like a trailer-like shell which unfolds, revealing pockets within pockets, all labeled with names of politicians or notable Aussie figures.

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Dream Journal

Yellow Shirt for Fun Blonde

Somewhere in Germany during a festival, the streets crowded with people milling about. I notice several black Germans pass by in traditional lederhosen, fully German culturally now — yet I can’t help but wonder what their ancestors put up with, knowing how other European countries treated their African subjects. Soon I’m with a mixed group, sitting to watch an indoor performance in the last two rows. A special request is made of me: get a blonde girl (whom I don’t know personally) a special yellow t-shirt to wear as a top. She slouches cooly in the back row with arms crossed, breasts out, but I can halfway imagine her wearing the yellow top already.

I saunter into an alcove where a meek group of bland-seeming workers is watching a training video, though it ends just as I sit down. Mechanical automatic lockers then open in front of them, though not for me, and we mill into a narrow back area. From these lockers they’ve received tokens (which I of course don’t have) so these back rooms with token-operated machines — arcade games or sewing classes etc — aren’t a practical way to earn the yellow top for the blonde girl.

Which seems like it doesn’t matter, since at the end of this back area is a love den, where she and I engage in another one of our rendezvouses (despite being introduced to her secondhand just earlier, now we’ve been casual lovers for awhile). She’s a sexual athlete and a freak in bed — she actually has stackable bins she carries with compartments for nitrous, whipped cream, amyls, toys, even a case of Greek fireworks (what are those? I don’t know). We’re lounging in bed afterwards, and one of our rules is that we don’t tell personal stories so there’s no chance we could get too attached or bored with each other (her rule, mostly). But I’m reading this newspaper article and it’s a bit shocking actually, so I read it aloud to her — some recent racist government exposé that’s almost too outrageous to believe.

At a desk window back down the hall, on the opposite side from the token rooms is a detective’s office. An ethnic family (older, wearing glasses, perhaps Indian) is trying to file a report. Observing the scene, my blonde girl comments about a stodgy white man visible at the back of the room: “doesn’t he just have that ‘I’ll jam your cell phone’ look to him?” Though I think her comment facetious at first, I watch as the family’s phone signal drops… after which they’re unable to report the crime they’ve been victim of.


A big salt gritter truck parked on a small residential court during the wee hours of the night. I climb into the big cabin and get everything ready for my first drive (fairly sure I’m the yellow-shirt blonde girl now). It appears that in the night someone has stolen much of the trucks tank through the front tank port. However, I confirm the integrity of the single spike guard in front of the port that’s supposed to serve as barricade against a stranger’s siphon hose.

Then there I am, a relatively small blonde girl, driving my new massive beast of a vehicle away at night for the first time. The driver’s view appears as a bright grainy grayscale fisheye lens, a bit disorienting at first but proving very useful. I round the corner out of the short dead-end street, swinging much wider than intended, yet the vehicle’s turning radius is very powerful despite being slow and ungainly.

I drive up a freeway ramp, struggling against the sandy ripples, when I remember I have the option to use the gritter tank to stabilize the slope. There’s a pink effect as I do so, one girl saving the day for all the drivers to follow.


I’m one of two younger girls fighting under table, the other an imposter trying to reach the other side of the room on some nefarious mission. I call “dad, dad!” while holding the imposter down. But the dad is on his computer looking at the email reply of one of his recent online ‘your post has been hidden’ appeals, glancing briefly and perfunctory at our desperate tussle.


In some random rest stop store, I’m looking through the aisles and come across two pieces of a gun hanging from display hooks. It’s wrapped in some kind of sports team graphic, and though they sell other guns from within locked cases, this one is priced so outlandishly that somehow the shopkeepers think it’s ok not to lock it up since it’s in two parts? Ugh.


In a pocket universe, a shabby run-down concrete park is closed during the pandemic. Oddly kids can’t seem to understand this. But adults immediately can spot a certain cracked rear wall, with an exposed adjacent building leaking in foreign universe, among other dangerous problems.

The scene zooms out to the broader area map, revealing the 2-symmetric lobes of this flat bubble universe, and the further 4-petaled algorithmic fractal pattern rotated out from the same central origin. I wish I knew more about this particular place, it seems quite unusual.