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Dream Journal

Rewatching Avonlea

Show up to get a ticket on a Russian train. I’ve been staying at a hostel nearby so I can leave when convenient. I show up as it’s pulling into the station, but the interface of the ticket machine proves fiddly and I have difficulty working with the Russian interface. I’m trying to select St Petersburg, getting the shorthand wrong, having to swap destination with current location. The train is unusually prompt and pulls away in an absurdly brief one or two minutes. Last time it was in the station for about half an hour. I’m very, very mad, finding myself awake in bed at 6 a.m. I quell my rage with a sleep mask.


In a pool (a specific corner of a pool much like my family’s in my childhood home) doing a baptism ritual for an infant — something to bless America, I think. A wedge of lime is carefully melted down on all the exposed surfaces to make it smooth as possible. The lime is delicately anointed on the baby’s forehead. Perhaps it was my own disinterest, but I wish it had been better explained.

Watching episodes of the old TV show “Avonlea” pen-pal style with my wife. There’s a scene where the plucky kids start on a gravelly Canadian beach and cross an open water channel on a dingy, following the fin of a whale cutting through the water. It’s a scene that I made and filmed myself, somehow. I remember not realizing how pretty summers are in that part of Canada.

Meanwhile I’m trying to explain something to my wife after she inquires how to do it, The solution I attempt is to send her a gray t-shirt, scrawling a message across it in pencil. Proves itself difficult to write on though; I end up making the lines too close together, and the capital letters are too blocky. While this is going on, I think I can hear her listening to Kate Bush songs.

Dream ends with me wanting to get back the three microphones I lent her. She’s never ended up using them, and I want them again to use in programming my code. My wife wakes me up to bid farewell on her way to work, and I inquire about these microphones. She jokingly confirms she won’t be giving them back.

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Dream Journal

Cymbal Sounds and Buried Glass

Watching TV in master bedroom of old family house, I’m aged as I am presently but with my family relationships as they were when I was in high school, maybe. I’m watching TV, a refreshing change as it’s been so long. I note that it’s like scrying, you don’t know what you’re going to get when you flip channels. I add 100 to whatever’s on and end up seeing part of an interview by someone named Leon Turkas, or Leone Turkes, some older funk-era black musician I remember to have one song by (note: no such artist was found upon waking).

From a viewpoint floating above San Francisco, I see that there are many more repurposed or semi-abandoned military buildings than I realized before. I spot one in particular, cracked wood and partially overgrown with spiky vines, lying between a major road and a parking lot for two other buildings — just out there, waiting to be explored.

Hanging out with my family, my little brother Chris (who is maybe 7-10 in this dream?) asks if I will let him practice massage. Lying on my back, he works on something he calls “windowpanes”, which are my upper pectorals. This goes on a while; he stops, someone says something to the effect “you should be good”, “you’ve gotten enough”, etc.

Now at an outdoor pool near the ocean, I rant at my brothers about the kind of people who make palindromes. They’re the kind of people who need something to occupy their minds, holding and manipulating multiple simultaneous variables, running an excessively complicated algorithm just to burn CPU cycles on their head-computer. Fucking untrustworthy mentats who don’t want to be alone with themselves. Well, I thought the rant was funny.

One of us brothers makes the sound of a cymbal with his mouth, a clean shhhhhhimm-m-m sound, as a comment during conversation. Chris follows it with a sound like sh-sh-sh-sh-sh, which my Dad says doesn’t sound like a cymbal at all. I come to his defense, saying it’s a cymbal with a lot of shimmer on it, which I feel somehow proud to understand and point out.

I wander away from them for a bit to explore. The pool and the beach are a bit like the ruins of Sutro Baths. In the middle distance I see what looks like smoke rising from a low, rocky outcrop. A few others notice it too. On the way to investigate I notice a dead whale on the beach, upside down, with spotty fur and ears. It has fuzzy white tufts over it, and I realize the smoke in the distance is actually steam, and it’s so cold outside frost has begun to form.

Satisfied there is no danger, I practically trip over an odd-shaped item half-buried in the grey-ish/brown-ish beach sand. I pull it out and it’s an elaborate sealed glass container, radially symmetric with alternate bulges and necks and ridges, inexplicably filled with what looks like a mixture of seawater and beach sand. There are a few intact ones I pull out before reaching some broken pieces underneath, which (since I’m already wearing gloves) I set aside to be disposed of properly. A family with small kids pass by as I’m working on this and the little girl in pigtails (maybe 5-6 years old) reaches out to feel the glass objects, though I warn her not to touch the broken ones. She defiantly rubs her hand on them anyway, and I look up and realize it’s a black family. They pointedly don’t react. I’m left wondering whether there must’ve been some black/white dynamic even from a kid that age, some “no white man gonna tell me what to do” aspect.


Woke up with “Mr. Blue Sky” as covered by Pomplamoose in my head. Surprised my wife by playing it in the living room remotely before I joined her in the living room. Ha!

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Dream Journal

Isla Wnifu, Island in a Darkening Ocean

Isla Wnifu (Waifu + Knife) is an island zoo full of genetically-engineered creatures. They’re kept within terrariums stacked in the walls of tall, overgrown, roofless rooms. The island has a trashed-out feel and I get the impression it’s regarded as dangerous or forgotten. But it’s somehow mine (or at least within my purview) — I am, unusually, allowed in this unusual place.

I’m swimming just offshore in rocky shallow water with a girl I mostly know from Twitter, KC Crowell. As afternoon turns into evening we start making out, and I’m trying to balance on the sharp sea rocks while she floats above me — it’s difficult, awkward, and uncomfortable, but c’mon… makeouts.

Dusk is fading, and I peer out into the darkening ocean, past concrete arches that look like freeway ramps, to the distant lights of the small boat that must take us home. We’re nearly set when I realize there’s a laptop that needs to be taken, and many more clothes (jeans, jackets) that should also come. The prospect of swimming across a long stretch of dark ocean begins to seem frighteningly risky. I start to scavenge from the crumbling anterooms of the bizarre creepy-crawlies, thinking maybe KC and I can seal the pants and make a floatation device.

Just as I’m heading outside again though a splintering wood doorframe, crewmen from the boat round the corner — I’m deeply relieved we won’t have to swim for it. The leader is a short Asian guy, the one who I’d previously made a deal with to transport us. I’d forgotten the other half of our deal… the men are carrying a massive whale tusk, as thick as a human being, long enough for six men to hold it aloft. It’s the second of a pair… and the extent of our deal. It dawn on me that that boat, these men, who I was so grateful to see a moment ago, could’ve left us behind without much fuss at all.