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Dream Journal

Two Masks, an Empty Simpsons-Inhabited Mansion

Standing in a place where recently a pregnant Marge Simpson stood, waiting to see someone. Now 3 grey chairs are lined up in a row outside that door, on gray carpet, among empty halls. They leave the impression of a scene very recently abandoned. I observe the vibrating cartoon outline of The Simpsons’ Monty Burns standing sideways against the column of my backyard stairway — events unfolding without him, inaccessible yet seen, as if inhabiting a windowed universe. He remains throughout the dream.

Taking the elevator to the rooftop, and the 38th story of this Addams-Family-like mansion. I get the hint that there might not exactly be 37 stories below it… it’s some sort of status thing. Whoever I am in this dream, I recognize I’ve lived a privileged life, and so recognize while gazing out among other high skyscrapers the calculated prestige of this place.

This whole time, we’ve been searching for two masks. One of them is real, of old Judaic provenance, and quite important. My younger sibling brings me one that their crew has found, flattened and rubbery and empty-eyed, a crude (though not cruel) caricature of a Jew. When asked how we will know which is which, I tell them with big-brother certainly, “to really to know which one is real, we can take samples and do composition analysis at a lab — I bet one of these will come up as being made some time in the last 50 years, somewhere in the vicinity of Southern California, while the other will have a vague 1000-ish year estimate, somewhere from Eastern Europe to the Levant… and which one would you bet on?”

Categories
Dream Journal

Investigation through the Portal to Birdworld

A pregnant stuntwoman parachutes from great height over a dense urban landscape, steering with her flightsuit, but her parachute never opens and she lands in a massive shockwave. The body is is never found and the impact site never pinpointed, so I’m sent to investigate. It’s suspected she didn’t crash, but was working with a covert group to use the jump to punch open a portal. I work semi-undercover in an office near the impact zone, one that’s apparently been shockwaved back through time, as it’s helping produce the show M AS*H. In commemoration of this I leave a postcard for my future self, drawing out big abstract cursive “MASH” letters, having great difficulty signing my name.

The portal must have been real — I pass into an alternate dimension where birds were the creatures that evolved into people. I’m able to blend in as long as I wear full-coverage clothing, which conceals my non-feathered skin. I get a tip that I should seek information on the person of interest I’m looking in the lobby of The W hotel. A large, puffy, white, embroidered ‘W’ takes up a full wall behind the desk. Under a disused wooden lectern, I find a mysterious handwritten note.

Later, I’m seated in the last row of a plane, being given an English test. The instructor doesn’t seem to acknowledge that their instructions are vague and contradictory. After several minutes of backtracking, I begin collaborating with other test-takers in front of me to corroborate the test’s poor instructions. It’s so bad that I’m thinking the only way to deal with it is to convince the instructor to invalidate the entire thing.