A pregnant stuntwoman parachutes from great height over a dense urban landscape, steering with her flightsuit, but her parachute never opens and she lands in a massive shockwave. The body is is never found and the impact site never pinpointed, so I’m sent to investigate. It’s suspected she didn’t crash, but was working with a covert group to use the jump to punch open a portal. I work semi-undercover in an office near the impact zone, one that’s apparently been shockwaved back through time, as it’s helping produce the show M AS*H. In commemoration of this I leave a postcard for my future self, drawing out big abstract cursive “MASH” letters, having great difficulty signing my name.
The portal must have been real — I pass into an alternate dimension where birds were the creatures that evolved into people. I’m able to blend in as long as I wear full-coverage clothing, which conceals my non-feathered skin. I get a tip that I should seek information on the person of interest I’m looking in the lobby of The W hotel. A large, puffy, white, embroidered ‘W’ takes up a full wall behind the desk. Under a disused wooden lectern, I find a mysterious handwritten note.
Later, I’m seated in the last row of a plane, being given an English test. The instructor doesn’t seem to acknowledge that their instructions are vague and contradictory. After several minutes of backtracking, I begin collaborating with other test-takers in front of me to corroborate the test’s poor instructions. It’s so bad that I’m thinking the only way to deal with it is to convince the instructor to invalidate the entire thing.