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Dream Journal

Exploring the Forbidden Office

Escorted on a secret tour through a complex of interconnected office rooms. The workers there have lived with the strangeness of the place for so long that, despite possible serious consequences, they’re willing to take small groups through it for a token bribe. I get an Ambergris vibe on account of the mysterious powers that run the place.

At the end of the tour, I return to a desk with a suitcase full of my shoes underneath. In the corner of a room, like my parent’s bedroom. There’s the chance my unseen boss will have a problem with it.

While waiting at a train station, up in a broad autumnal-leafed tree, I spot a very unusual-looking creature. It’s almost intentionally strange: a single large, unblinking eye on a prehensile stalk points at me while a confusing locomotion of multiple limbs shuffles/crawls/drags it through and out of the foliage. I watch as it leaps down from the tree, around the corner of a concrete wall, joining (or becoming?) a family group of ten or more and shimmering/disappearing into the ground.

Foggy wooden V-shaped viewing platform that I visit before my group. Climbing up a second time, the ladder has moved back and I’m not sure I have the upper body strength to pull me over. Kate Willett, who has lightened hair tips (perhaps from age) climbs up also and I realize this is as foretold in an old vision… a dream? Hm. She reveals a special name that lines up with my secret knowledge, something like “Ec-sdo-mai-ssis” without the dashes.

In our home, we have two regular-sized fish tanks. One has divider and a thin sick fish (a gullet?) breathing heavily on its side. Lynae does a water exchange at the same time as I do, and it results in one tank being nearly empty, and excess water for the other. Meanwhile I intermittently find tiny rats on floor, a consequence of a pregnant female escaping.

Categories
Dream Journal

Last Night in New Orleans

Slim invites us to a museum he’s been to before. Not knowing much about it, we end up liking it a lot — a museum named after Abita about New Orleans, and death (death with a little d and big D, Death). The black folks who run it are really into the place, too, and I wish I kept more details. One run-through, many catwalks, like a brewery tour. Death is alive.


Playing outside on the street of my childhood home on Kemper Court, I watch the adults steadily, one-by-one, leave their homes and leave me abandoned. There’s some new requirement for a federal ID (like the new TSA requirement, perhaps). I’m still a kid, but I’m also still me, and I know it’s some flavor of bullshit. In my head, while gazing at the neighbors house, I demand to know how much it costs to raise the neighbor kid Brandon. I haven’t thought about him in decades and I’m almost surprised I recall his name.

Passing the redeveloped portion of my hometown, Cathedral City, the part where Cat City Elementary used to be. Understanding that the absence of a place leaves the memories of that place unmoored, unrelatable. In the dream I can’t remember what it looked like, and all I observe is a line of tamarisk trees. The street has recently been the site of homeless encampments. A new bureaucratically long-named assistance center sits on the site of a former narrow park, battered tents obstruct the street (either in my direct experience or in my recalling of the past). Cranes return to the dark grass on the side of the road.

Spend several hours on a grimy and ghetto-y pedestrian overpass, passing the night in what ought to be an urban hell. Instead, there’s an erotic aspect, a sexual pastime. Who am I there with, am I male or female? — can’t remember. But it’s our secret location, ensconced above the rabble of vagrants, watching as if from a crow’s nest on a ship’s mast.

Inside a dainty house sometime after, I’m in charge of running the place.  I’m female, notably. There’s fancy teacups and luxurious wallpaper, but middle class, somehow unpresumptuous. There’s a stack of electronics that’ve been set up by my partner, stylishly white, antique by only a decade or two. Per someone’s request, I play some music on the DVD player, which is a clear plastic model, revealing the many spinning gears/components and quite fascinating to watch, spinning up, then becoming still.