Tag: street

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Dream Journal

Hidden in the Cantina

Street scenes. Navigating blind sidewalk corners of New York’s rectangular grid while attempting to retrieve or deliver a suitcase. Tall, colorful, narrow buildings. Autumnal.

Another street. This is literally Hollywood Boulevard and its crowds of tourists. Many themed experiences with their lines of ticket gates outside, bustling excited people.

I find a quiet cantina that was mentioned by a friend. No cover charge. I make my way directly to the back room, an enclosed patio that looks carved from sandstone. It’s based on the same design as another bar I’ve been to, the exact layout. With my existing knowledge I gain access to the upper level, the mezzanine ringing the patio space. Usually this would just be decorative but I take the opportunity to lounge in a corner, savoring the assurance of privacy in a public space. Eventually a group of people enter the space and begin chatting, unaware of me. I make my way down and exit the wall closest the front of the building instead of the far back wall. I inspect what looks like a small piece of art, an incomplete outline of a five-pointed star formed by a living plant vine. I have the chance but for some reason intentionally don’t try take a picture — perhaps I am already waking up, perhaps I know I won’t be able to keep it, perhaps it would be too frustrating with dream logic rules.

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Dream Journal

Hang Gliding in the Dark

Someone has stolen the truckbed, the entire back half of my pickup, from where it was parked on the street outside my apartment. I set up a rainbow umbrella while I’m attempting to deal with it but it partially blocks the sidewalk.

I’m part of a kink community event. Rich takes on a dog persona. Parked nearby is a car with two vanity plates, but in reversed order, should read something like PSU-DO 640,000.

I’m sitting on a large flat rock, outside a compound built into massive stone. Perhaps this is where the event is. I’m under this big rock overhang, kind of has a feel like the forest from a cartoon (like the Smurfs or David the Gnome).

Hang gliding in the dark from the perch of a promontory, despite that I’ve been told I shouldn’t because it’s dangerous. I don’t think it’s dangerous for me. The silhouetted treelines are gorgeous. While flying overhead avoiding it’s dark streets, I think about the problem of a town which is in this beautiful natural area, but which was allowed to be built crowded and ugly. I make a certain bird sound as I fly up toward a ridge. Learning of an old growth giant sequoia which was cut down here, then tracing it through history from the late 1800s. It seems it was never fully processed and was allowed to rot in place. The tree possibly grew back from that remnant, which I’ve never encountered before. A woman talks about the appearance of the tree from behind newsdesk cut out in the base of another tree, comparing the regrown tree to “cum, a kind of spirit”.

Records of what happened to it are very scant though.

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Dream Journal

Cafes and Street Crossings, A Queen, Sexy Teens

In a recent tabloid news cycle, the question arises of whether teen stars Alia Shawkat and Michael Cera slept together while filming on location for Arrested Development. I happen to know they did — because one of my earlist jobs was as their adult minder on set. Obviously this makes me reticent to confirm it to anyone, but I’m excited to know something relevant.

In fact, I’m inspired to try to find the beautiful valley where we filmed, just inland from the Bay Area in California. It had a unique self-contained ecology. I have intense memories of clambering through dense acacia-like trees not far from the dusty road. Their branches and trunks were covered in short leaves. Everything had an impossibly sunny cast, like the ideal of a summer day.

There’s a cafe in Portland I frequent, a place with tall glass windows and wood banisters seperating the booths. After getting the attention of one of the baristas (who know me) I suggest that I might set up a little mini-golf installation. This would be mutually beneficial, as the cafe needs regular changes of its decor to keep things fresh, and I would get a bit of income from renting equipment. I think they’re going to agree to the deal — I don’t tell them I don’t have any of the materials yet.

Leaving the cafe I cross the street outside, noticing halfway across there’s a throng of people and unusual hubbub ahead. Unknown to me, Queen Elizabeth is making a visit in town and just passed this way. I cross a sidewalk (and a little hedgerow maze entrance) that was quite recently occupied by royalty.

Another sidewalk cafe, this one a touristy cafe in downtown San Francisco. Normally it has computers for travelers to use but it’s been under renovation. One day I start pretending I work there — I just keep showing up and no one questions it. I’m fond of the place, but I also want to keep an eye out and surreptitiously learn anything I can.

After working (for free) one day, I get tired and decide to take off for the evening. I ask my new work friend if they fancy a bit of the Irish Castle, a 102 year old entertainment venue across the street. They’re game, but instead of crossing directly they lead me the longer way around the block. We arrive through the entrance of a quaint 80s mall (still much postdating the Irish Castle, though) and I notice our flat fancy shoes are slidey on the tile floor. We can use them almost like roller skates. My friend and I race and they’re in first the whole time. I couldn’t tell if I’m letting them win or they’re simply very talented at this.

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Dream Journal

They’re Painting My Home, Badly

Landlord has started painting our apartment building. I discover this sporadically, noticing the sudden changes, and never see his workers. Ugly strange patterns in garish colors, dappled sponges (like in the ’90s). I have to find him and complain, having this lack of control and this poor taste is unlivable. Usually he doesn’t do much work — and usually we don’t even complain about serious stuff. But before I can get him, I peek out into the entrance hallway and it’s transformed by a second coat into a surprisingly acceptable if bland two-tone blue.

A couple teenagers steal a bag of UK Pound coins. They dash haphazardly out into the street and spill it on the pathway of a public park, inviting everyone to grab one.

An advertisement navigates down a scenic but underdeveloped street in San Francisco, a slight slope with scrubby greenbelt on either side. Though the ad substitutes a silly marketing phrase, I eventually imagine looking to a street sign and recognize it as Jones from my time as delivery man. I picture what a single land plot would be, snug perhaps, but the kind of multi-level house that would be built in SF would accommodate several people. And it’s a few long, long rows.

Inspecting my art aquaintence Colin Fahrion’s collection of old banknotes. Ones from Bolivia, Brazil, others. In their pleasant little folios they have a fine canvas texture, yet seem to feel like tragedy, as if they bare the weight of political events long ago that they could’ve changed. Beautiful, cursed money.

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Dream Journal

Too Much Waiting, Not Enough Double Dream Cartoons

While the video game WarCraft 2 used flat 2-D sprites, the years-older “Warcraft: Orcs & Humans” (WarCraft 1) used a grab-bag of early 3-D tricks. I’m finally playing it and oddly, though the game is very basic, it’s more intriguing to discern the clever workarounds they came up with long ago. Pleasingly retro, as well. (Standing in front of my fridge yesterday I randomly appreciated the deep lore they were able to produce in those games, simply by creating the series for so long.)

When my Uncle John is frustrated about having to move, I’m able to share an anecdote about how, when the show wrapped, the sets for “Seinfeld” were almost immediately converted for use on the show “Friends” (I learned this yesterday; it was actually Full House)

Waiting on my motorcycle at a left turn signal. I leave, crossing to the sidewalk when I realize how long I’ve waited. Suddenly I realize it’s essentially just abandoned in a traffic lane now. Going back, I see I even left the key in the ignition. The back compartment must be repacked now (of course it does). I rejigger the back case’s mounting plate and straps, all while standing in front of a line of unusually patient cars also still waiting to turn left.

I’ve been fiddling with nose ring intermittently for most of the dream. It finally splits near the tip, coming off in my fingers just as I realize how long I’ve been fiddling. Still, it seems like it should be able to fit again, but the gauge at the break is inconveniently flat instead of round. It won’t fit in the piercing hole, and repairing something that stays in my skin seems like a non-starter.

In a jaunty Nickelodeon-style kids cartoon, one friend has fallen asleep in the shower. As his friend, and sensing an opportunity for mischief, I hide in the shower drain. Since my friend doesn’t wake up I start saying odd things in an affected strange voice, which reverberates through the drain pipe. Zooming into his dream I appear there as a semi-distorted subway announcer — ignored, as most subway train announcements usually are. I notice other characters from our cartoon have been animated in his dream as more realistic adult humans — stylized and shapely enough to evoke sexual lust, innocently but not incidentally. Rule 34 on hot double-dreamt cartoons.

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Dream Journal

Hovering Presence and Menacing Cow

Skin writing is used as apunishment on someone suspected of human trafficking, marking them for later.

A dog-sized cow is acting menacingly at the property line of my childhood home, just at the edge of the neighbor’s lawn. I walk all the way down the street trying to read its dog tag, with no real plan how to make it go away.

Discover I’ve moved in together in the same ground floor apartment as some people I know in real life, but mainly from Twitter — KC Crowell, Feral, all Oakland peeps. I myself am an observer, but unusually, one with an identity — a hovering presence dwelling mostly in the rafters, where a glowing horizontal level divides my space from the everyday living space. The easily discerned border of the ceiling has curved buttresses, marking its construction in the early 1900s. On one section of old wood paneling, I spot a poster advertising old-timey glassware, lab glass perhaps. My roommates begin reinstalling some authentic hand-blown stained glass fixtures, decorative colored filigrees that have been in storage for almost a century. The landlord likes the residents so much he was convinced to let them haul it out from storage. The square ends of the curvy abstract forms fit perfectly flush against the buttresses.

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Dream Journal

Boban Vervinsky

My wife and I are sitting in our living room when a sudden noise shakes the wall overhead. A 4-in nail has popped through and knocked off one of the top row trading cards, the same like the arrangement in our apartment’s hallway art gallery. My landlord has been renovating the apartment next door for weeks (this is waking-life true, actually). I angrily walk down the hall to give him and his crew working next door a piece of my mind. He opens the door and as soon as I start describing what happened he pretends to act like they did it on purpose — despite one guy down the hall yelling “hey I’m sorry”. In response I act like I’ll helpfully go measure exactly how many inches of nail are sticking through the wall, so they can measure it from their side, possess an accurate perception of wall thickness, and not do it again.

While we stand outside on the balcony, an older sickly-looking interloper shows up who starts stealing the conversation away, acting like they’re trying to empathize but only talking about their own problems. They’re abruptly standing in the apartment next door while my landlord is standing in mine. Normally I suppose I’d be sympathetic, but instead I turn to my landlord and ask “who the heck is this?” He just says “someone annoying” and I’m simply inclined to agree. There’s nothing to do but let this energy vampire drone on and try to avoid them.

I’m standing in a long winding line on the street here in my neighborhood, the Mission District. I went out to buy a case of beer, Pabst Blue Ribbon, for like $23.99. The line moves surprisingly quickly, but it’s split up into a few sections that complexly join into one. The lines’ purpose is labeled only at the penultimate merge, so of course it appears I’ve gotten in the wrong one and should be in the $19.99 and above line. Right about the final merge I look and see the entrance to the store, just another neighborhood corner store that happens to handle particularly high volume right now. The place only allows one or two customers inside at a time, and it’s upstairs through a single doorway — the place I think is called Boban Vervinsky. Exasperated, I realize in this unnecessarily crowded line that I’ve had my mask around my neck the whole time.

Some unannounced blonde attendant (who’d otherwise be pretty cute) starts blithely giving me instructions from behind my back, that I can’t hear, don’t understand, and don’t want. The stress and crowding involved are too much and I give up, throwing my items on the ground toward to store, flipping off the clueless unhelpful attendant on the way out.

This leads to a short back and forth where I’ll see someone I know on the sidewalk giving the middle finger, like Courtney K., and I have the great timing to give them the middle finger back. I’m getting in flipoff doubles, at some point I feel like I’m physically throwing flipoffs… all in a cinematic-quality slow motion montage with scenes bouncing one to another to another. (It reminds me of another dream, where I first learned to double-middle-finger the whole world around me like Rick Sanchez on Rick and Morty.) But the chain is broken when there’s a girl, Morgan or Megan, with long dark hair over her eyes who doesn’t see me gesture to her.

Not about to stop acting free, I set off running down the cracked asphalt streets of my neighborhood. I run like a big cat, galloping on all fours. While doing this it’s like I’m narrating my method to some unseen flirting female observer riding along with me. I start running on just my hands, floating my legs up for more speed and maneuverability. It’s at this point the observation strikes me that this is the kind of locomotion I’d choose to do if I were dreaming. The dream rapidly breaks down; I wake up with a sharp inhalation and a beating heart.

A search of the name “Boban Vervinsky” has no results at time of writing.

Music in my head upon waking up, Eydie Gormé, “Blame It on the Bossa Nova” (1963)

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Dream Journal

Idyllic Small-Town Plum Falls

A custom-designed webpage prototype with four alternate positive opinions for any submitted negative. Creates URLs for its suggestions. Created by a short girl wizard, who’s becoming a bit famous for it. (I’d guess this was Plarvolia, whom I just re-discovered via her online activity after meeting her at a party in March this year.)

My family’s got a new fridge, so big you swing open the door and have to walk up to the inside. I lean over the front shelf and discover rows of of wheeled container stacks that roll, and beyond that a half-size kitchen. Remember that I have PBR in my crappy tiny dorm-size fridge that I could now bring. While inside, a corner with twin stoves, I knock loose one electrical clip plugged into the counter wall outlet. I then try to figure how to let my dad know.

Outside, on a street underneath the highway & close to the doorway, I watch a long car pull up (against advice). From it emerge a color-coordinated pimp-styled group, orange and gold and white everything. I continue off without gawking, heading the direction of a town my wife texted me from, hoping to surprise her — Plum Falls (a semi-inversion of my hometown, Palm Springs). I pass unexpectedly through an underpopulated corner of San Francisco, near the wharf, somewhere called like “Southeast Neighborhood” I’ve visited in dreams before. I cross the street at an oddly shaped intersection at Winston Way downslope of a curvy hill, jogging across as a car abruptly pulls around the bend.

I reach the quaint rural community of Plum Falls, a tiny 3-or-4 street grid town from out of my past in Oregon and/or Australia, cast in foliage of bright autumnal orange. Reminiscent of many other dream locations. I amble into a garage sale inside the house of an elderly, thoroughly-countrified man. But I wear no pants or underwear, shuffling side-to-side hiding my naked lower half. An excuse I use is that I just woke up from dreaming (what!?). As I’m behind the man’s table, I take my chance and finally wrap a black t-shirt to cover myself. The man has a only a few items laid out sparely, each clearly special and treasured, and the one he’s pitching to me is an old hand-bound bible. It’s beautifully crafted, raw-edge leather, highly textured and deckled paper, embossed gold lettering (some of it in Ge’ez script)… but unfortunately the font gives away that it’s much newer than it might seem, especially with its deep modern-styled embossing. I find a way to turn him down gently, especially considering his high asking price, but I’m immediately distracted by another book sitting on the corner of his table. A stubby thick hardcover with glossy dustjacket, I remember thinking I’d glimpsed someone casually drop it there while we spoke. It’s a book by none other than Chicken John. I’m forced to improvise an explanation for how I know him, going into how we “collaborated” and why we “fell out with each other”. The experience is terrible: alienating, frustrating, embarrassing, and ultimately useless. I unwisely make the open claim that he must’ve put that book there himself, just recently. All rapport is gone now, and the countrified old man has lost interest in me.

The next day I’m idling along near (but not on) one of the few sidewalks in the dusky town. I spot a familiar figure from behind, and approach him from the side. Turning his shoulder, I stare into the face of Chicken John, who looks more ginger-haired and solidly mustached (almost like my 4th-grade teacher Roy Suggett — if you’re out there, Mr. Suggett, you’re still my favorite). I lead Chicken back to the house where I was yesterday and allow him to believe there’s no one there. He unlatches a small window and reaches in, only for the old man from the garage sale to poke his head out saying “Excuse me. Hello?” I gesture meaningfully, demonstrating that what I said yesterday was true, and exposing Chicken for whatever scheming he planned against me.

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Dream Journal

Face-to-Sexy-Face with Friend Spy

I’m dropped off directly across from my first elementary school in my hometown (possibly by plane), and find an important but broken piece of… something in the gutter. I round the corner and spot a half-empty vape juice bottle, grape — there’s a store nearby and I spot these a lot. I consider whether it’s a good idea to pick it up. Walking up to my childhood home at the end of the street. My phone helps me walk by showing the rear camera feed behind the text I’m reading. I only notice this once I start earning points by passing over certain objects.

A badass Bruce Willis-type guy is driving/walking down a concrete bridge. My friend Spy and I appear together there. There’s some unusual sexual tension between us, perhaps due to the guy being there too. In typical fashion for us our sexual tension is diffused by amping it up, as I hold my face close to hers — actually touching cheek to cheek. Somehow that usually works.

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Dream Journal

Dara, a Pastel Rat

I spot my old crush Dara walking across the crosswalk outside my house. She’s dressed in faded pastels, a pastel hoodie pulled over her head. I recognize her despite the personally unlikely color palette and the odd gait she has, a side-to-side waddle like her hips are too big.

She turns into a rat, scrabbling around the kitchen for Teddy Grahams to eat. Squeezing inside an empty milk jug, I start feeding her Teddy Grahams.