Driving down what seems like a miniature Hot Wheels freeway in San Francisco, through a rocky little cactus and succulent park. I take what must be a wrong turn and continue driving over the road, but it’s now invisible. It’s disconcertingly like flying between the channel of rocks.
I come out the other end at a corner, noticing a small sedan parked just to the side of the intersection, practically in the crosswalk under a tree and sticking out into the lane. It appears to have been there a while as there are pieces of broken-off succulent plant growing on the street around their car. I consider rescuing some to take home.
Instead, I enter uninvited into the condo-like apartment building, in the tall flat block adjacent the intersection. There’s no lights on inside, and it has a “Miami retiree” vibe. I get lost in the maze of bathrooms, trying to leave feels like going through one after another, in the dim interior twilight.
Once I’m outside, I start writing a note to explain how the invisible road in the park must be fixed, and in the process one of the rent-by-hour bikes that’s always parked on the sidewalk in San Francisco gets knocked down. An older, gray-haired motorcycle-type guy with a goatee, his outfit covered in motorsports logos, reflexively tells me it’s knocked over and I should leave a note. He’s just passing by and doesn’t even seem to have any investment. I gather myself and rush after him and ask him pointedly “why did you feel you had to say that?” He immediately understands it was unnecessarily bossy and apologizes, yet I agree I will leave a note and say I’m sorry.
Afterwards, I use a personal gliding machine to fly directly above the rocky triangle-shaped park. There are huge spherical floating balloons holding up art projects, the work of one artist not long ago. I fly low enough to graze them. In a fit of enjoyment, I fly low over the street, wobbling to and fro between the lanes as I idly ply the neighborhood.
Walking between two fancy houses on the seaside. Modernist concrete right angled things, floor to ceiling windows overlooking long patios which double as piers, covered in tasteful potted plants. I walk between two of them (neither of which I have permission to be on) and observe how their roofs hold up a flat trellis between the homes. (The orientation switches at some point, as if I’d been looking toward the sea, or looking toward the street.) I imagine hanging a certain pitcher plant perfectly in between the two homes, such that it overhangs the walkway.
I am, by this point, also an Avatar Aang type character. A younger girl, resident of one of the fancy homes, lays down on the concrete, bereft of energy. In what I understand to be a friendly gesture, I dip my nose into her exposed armpit. I must’ve been invisible to her before, as she startles and knocks me backwards. In penance I turn myself into a potted plant with tall pointy leaves, called a snake plant. I watch the clock fast forward by a factor of 36, while in the background my unknowing allies search for the Avatar.