A white-colored Dutch boombox radio. I realize it’s supposed to be a breeding machine for something, producing offspring (or helping produce offspring).
Examining my toes, I see that the middle toe is actually smaller than all the rest.
A white-colored Dutch boombox radio. I realize it’s supposed to be a breeding machine for something, producing offspring (or helping produce offspring).
Examining my toes, I see that the middle toe is actually smaller than all the rest.
I navigate up a river flowing over large rocks. People walking up it. Find refuge at a covered patio belonging to a women who set it up as a rescue facility. She’s a traveler like myself and I’m not currently in need of a rescue. I see myself as more of an ornamental garden hermit.
Playing a card game to pass the time on a bus — where the cards are made of cash money. Digging in the compost bin, I rediscovery modified dollar bills with cute names written on them: Ankylosaurus, Potato, Peanut
Doing a cleaning job. A martini glass holding, instead of ice cubes, a single huge ice cube is being sold.
A woman introduces herself as named Finch. “Finch Finch?” (first and last), I ask. “Nope, just Finch.”
Reading in a magazine by the side of my bed when I accidentally stumble on a bit in an article about someone I know. My old roommate, long after she had moved out, met someone for sex every Tuesday. Incidentally their fathers met and became professional friends. It was then revealed: the two of them were secret siblings.
Showing some people my family’s former house in Santa Rosa. It’s been rebuilt since the fire in 2017 (this did happen) None of the inside is the same. I don’t know the family that lives there now, but they seem like they have good taste. The walls are Japanese style shoji, made of paper, light glowing behind them. I don’t know the family that lives there now.
I get a sneaking suspicion, a strange feeling to check the backyard. I just catch someone who looks like the landlord’s soon peeing in a potted plant downstairs in the corner. Though I race down, whoever he is has gone into one of the disorganized downstairs storage rooms. Even though I have access to them, I’ve already lost the trail.
From a view high above what might be the English countryside, studying the distribution of settlement. Perceive the compounding of development, long stretches encompassing multiple human lifetimes. Switching to a view the property lines, I notice a spot where the markings are smaller and crowded together, a little lake in the middle distance. The architecture is a bit strange, fitting on to misshapen hexagonal plots, catering to the whims of the wealthy who could build at such location. A modernist concrete barn with few windows cited close to a low point near the lake.
Recently, I was closely examining satellite photos of a sheltered neighborhood in my city whose streets I never knew existed.