Tag: sidewalk

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Dream Journal

Orbital Goth, Watercourse Lava Statue, Greasy Ferret Box

A classroom, maybe like high school. My sophomore history class, the one facing east at the of the wing. Mr. Conklin’s. Events play out, forgotten in the morning, but I end up hanging off the side of my new goth girlfriend like a monkey. Playing things back through, it becomes apparent that these events have been reenactments of orbital mechanics in the solar system. The goth girlfriend is a moon that my asteroid self is orbiting.

A video game landscape, well-designed spiral mountain with a river emerging at the top. The sides of the spiral are canted so water rushes down them at just the right speed to not overflow the sides. Water flows from there into a channel and then down a slope, then onto a beach but *on fire* — at least apparently so. There’s a trick where the water flows into a nearly concealed hole immediately before lava emeges from a hole just nearby. After I examine the holes and establish this is trick, I go down the hill and onto the beach. I trigger a short cinematic that plays, showing a god-elf-man climbing into the lava flow and turning himself into stone, creating the epic beach landmark which has stood on the shore 1000 years (or something equally venerable). I get to see the cinematic only once.

Laying on a sidewalk outside hanging out. Outside where? Don’t remember, not important. A pair of ferrets, acting like my pets but instead just very friendly, play in a smallish box of water I’m holding. They swim and play despite that there’s grease floating all in it. Meanwhile, a pair of strangers are reorganizing their supplies from a trip on the sidewalk next to me. My arms are splayed out wide, and the girl incidentally use my hand to keep a book from blowing away — intentionally but withhot really thinking. When this is noticed, they offer to have me look through the book, and it’s quite an exquisite work. It’s actually a sleeve with a kit inside, cloth gloves, a pomegranate chocolate, and a very smooth white book that I leaf through. I give it back to them, realizing I was probably meant to wear the gloves if I were to touch it. The ferrets emerge from the grease box, unformly coated with grey-black slime. They seem to be untroubled, and my efforts to squeegee them don’t seem to have an effect. I figure, well, if they like being this way I’m not going to try to change them. They got themselves into it.

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Dream Journal

Moving Bits and Pieces

Taking down the living room wall mural at our old house. It’s assembled from big pieces of vinyl, some in smaller squares as if it were tiles. As I peel off a square, I hold it in my hand and think about how the mural is certainly big art, but only big enough the fit the space. I think about how we would need a new one for the new place because the living room wall is even bigger. Originally, this mural was just found art, but after these years looking at it I have a subtle understanding of the shades of meaning it gives, how it affects you. I realize I have insight into the message it gives when you slowly absorb it. It affects you a certain way.

Underneath the mural is the “radio cabinet” with a sliding door, which used to house a radio station transmitter many years ago. I deal with it separately out on the lawn or elsewhere. In the dream, it’s exactly the furniture piece we’ve had in the living room for many years, but in this incarnation there are circular beams which would block part of the TV — if you kept a TV in there, like they might’ve in the 60s. These support arms are worn from years of minute bouncing, as if the small motions from the rat cage above gradually wore it to splintering bits.

A few rats get loose (or I let them loose). Three scramble away immediately onto a nighttime sidewalk yet I can easily grab their tails so they don’t get away. I notice two rats performing a “leg up” maneuver to climb up a wall — though they’re far too small to get all the way over. Very cute escape artists. I help by grabbing them in my hand and placing them atop the wall. They don’t seem to know what to do!

A few fragments:

Sitting at a desk in class, my rat Porkpie climbs onto a desk of the student behind me. I grab him so he doesn’t bother them.

I joke with my friend Nancy Kleppe acting as though her name was Norma (obviously I know it’s not her name.I’m talking with her about moving.

Remember being in Punjab Chinese food while it was closed. I discover three RAM sticks (that I once pilfered from there) have since been taken out of my computer, but I think the one stick that’s left isn’t in the correct slot.

(the custom font I chose to write in today, which I may implement someday, was called “Lambrada”)

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Dream Journal

Hidden in the Cantina

Street scenes. Navigating blind sidewalk corners of New York’s rectangular grid while attempting to retrieve or deliver a suitcase. Tall, colorful, narrow buildings. Autumnal.

Another street. This is literally Hollywood Boulevard and its crowds of tourists. Many themed experiences with their lines of ticket gates outside, bustling excited people.

I find a quiet cantina that was mentioned by a friend. No cover charge. I make my way directly to the back room, an enclosed patio that looks carved from sandstone. It’s based on the same design as another bar I’ve been to, the exact layout. With my existing knowledge I gain access to the upper level, the mezzanine ringing the patio space. Usually this would just be decorative but I take the opportunity to lounge in a corner, savoring the assurance of privacy in a public space. Eventually a group of people enter the space and begin chatting, unaware of me. I make my way down and exit the wall closest the front of the building instead of the far back wall. I inspect what looks like a small piece of art, an incomplete outline of a five-pointed star formed by a living plant vine. I have the chance but for some reason intentionally don’t try take a picture — perhaps I am already waking up, perhaps I know I won’t be able to keep it, perhaps it would be too frustrating with dream logic rules.

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Dream Journal

Mad at the Sunset at Mustard Truck Ranch

Throughout these dreams there’s an indescribable water park vibe. No theories why, just imagine there’s a waterpark involved. And: a certain man’s wife features in every scene.

Staying as a guest at a ranch. On an outdoor table with benches I notice that the pepper I planted has grown wildly, sucking all the goodness out of its soil. At its base it’s produced a big wrinkly pepper fruit. An unruly stem of 50 cloned plantlets hangs so long it droops over the table’s edge.

Holed up at the semi-remote ranch I defer going to school all day. Counting the hours, missing one class after another, bargaining with myself the whole time. Step outside and look between the gateposts — just in time to catch the sunset framed between them, just touching the horizon. I yell at the sun in frustration, “I wanted to have a day! Fuck you!” It’s like a picture I saw of a sunset in an old vinyl album — evocative in its plainness somehow.

From behind me, I hear the main front door to the ranch open. I don’t wish to interact with anyone at the moment; there’s a baseball hat dude and his wife that I’m not fond of either. They’ve not done anything actually rude yet but I don’t want to give them the chance to.

Along one of the side streets bordering the big compound a group and I encounter a charming little food truck. It’s an old woody station wagon, green and yellow, called The Mustard Truck. They serve warm pretzels and beer and English bar snacks. Surprised, I observe that it wouldn’t actually be that bad living here if there’s things like this to be found.

From the winding sidewalk of small park near a courthouse, I step into the street. I pass a woman I recognize, the wife of Sam Gamgee from Lord of the Rings. This would be Rosie Cotton as per the books — then again but I might instead be thinking of the actor who played Sam Gamgee. A little down the road I watch a car struggling to pass a lady dragging a cart as they’re all in a tunnel. She shouts “passenger!” as it overtakes her. A roundabout way of claiming her rights to use the road (just as a car) but avoiding shouting “car” because that’d only reinforce a second-class ideology. Car, apparently, being the traditional shout.

I’m sitting across the table with some female YouTuber, someone whose stuff I watch (can’t recall who though). We discover we both know this cart lady. I relate this story of her shouting in the tunnel and we share a good laugh. I list a bunch of other YouTubers who might know her (this is why I can’t pin down who I’m talking to: I mention everyone I might be talking to).

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Dream Journal

Idyllic Small-Town Plum Falls

A custom-designed webpage prototype with four alternate positive opinions for any submitted negative. Creates URLs for its suggestions. Created by a short girl wizard, who’s becoming a bit famous for it. (I’d guess this was Plarvolia, whom I just re-discovered via her online activity after meeting her at a party in March this year.)

My family’s got a new fridge, so big you swing open the door and have to walk up to the inside. I lean over the front shelf and discover rows of of wheeled container stacks that roll, and beyond that a half-size kitchen. Remember that I have PBR in my crappy tiny dorm-size fridge that I could now bring. While inside, a corner with twin stoves, I knock loose one electrical clip plugged into the counter wall outlet. I then try to figure how to let my dad know.

Outside, on a street underneath the highway & close to the doorway, I watch a long car pull up (against advice). From it emerge a color-coordinated pimp-styled group, orange and gold and white everything. I continue off without gawking, heading the direction of a town my wife texted me from, hoping to surprise her — Plum Falls (a semi-inversion of my hometown, Palm Springs). I pass unexpectedly through an underpopulated corner of San Francisco, near the wharf, somewhere called like “Southeast Neighborhood” I’ve visited in dreams before. I cross the street at an oddly shaped intersection at Winston Way downslope of a curvy hill, jogging across as a car abruptly pulls around the bend.

I reach the quaint rural community of Plum Falls, a tiny 3-or-4 street grid town from out of my past in Oregon and/or Australia, cast in foliage of bright autumnal orange. Reminiscent of many other dream locations. I amble into a garage sale inside the house of an elderly, thoroughly-countrified man. But I wear no pants or underwear, shuffling side-to-side hiding my naked lower half. An excuse I use is that I just woke up from dreaming (what!?). As I’m behind the man’s table, I take my chance and finally wrap a black t-shirt to cover myself. The man has a only a few items laid out sparely, each clearly special and treasured, and the one he’s pitching to me is an old hand-bound bible. It’s beautifully crafted, raw-edge leather, highly textured and deckled paper, embossed gold lettering (some of it in Ge’ez script)… but unfortunately the font gives away that it’s much newer than it might seem, especially with its deep modern-styled embossing. I find a way to turn him down gently, especially considering his high asking price, but I’m immediately distracted by another book sitting on the corner of his table. A stubby thick hardcover with glossy dustjacket, I remember thinking I’d glimpsed someone casually drop it there while we spoke. It’s a book by none other than Chicken John. I’m forced to improvise an explanation for how I know him, going into how we “collaborated” and why we “fell out with each other”. The experience is terrible: alienating, frustrating, embarrassing, and ultimately useless. I unwisely make the open claim that he must’ve put that book there himself, just recently. All rapport is gone now, and the countrified old man has lost interest in me.

The next day I’m idling along near (but not on) one of the few sidewalks in the dusky town. I spot a familiar figure from behind, and approach him from the side. Turning his shoulder, I stare into the face of Chicken John, who looks more ginger-haired and solidly mustached (almost like my 4th-grade teacher Roy Suggett — if you’re out there, Mr. Suggett, you’re still my favorite). I lead Chicken back to the house where I was yesterday and allow him to believe there’s no one there. He unlatches a small window and reaches in, only for the old man from the garage sale to poke his head out saying “Excuse me. Hello?” I gesture meaningfully, demonstrating that what I said yesterday was true, and exposing Chicken for whatever scheming he planned against me.