Tag: sidewalk

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Dream Journal

Mad at the Sunset at Mustard Truck Ranch

Throughout these dreams there’s an indescribable water park vibe. No theories why, just imagine there’s a waterpark involved. And: a certain man’s wife features in every scene.

Staying as a guest at a ranch. On an outdoor table with benches I notice that the pepper I planted has grown wildly, sucking all the goodness out of its soil. At its base it’s produced a big wrinkly pepper fruit. An unruly stem of 50 cloned plantlets hangs so long it droops over the table’s edge.

Holed up at the semi-remote ranch I defer going to school all day. Counting the hours, missing one class after another, bargaining with myself the whole time. Step outside and look between the gateposts — just in time to catch the sunset framed between them, just touching the horizon. I yell at the sun in frustration, “I wanted to have a day! Fuck you!” It’s like a picture I saw of a sunset in an old vinyl album — evocative in its plainness somehow.

From behind me, I hear the main front door to the ranch open. I don’t wish to interact with anyone at the moment; there’s a baseball hat dude and his wife that I’m not fond of either. They’ve not done anything actually rude yet but I don’t want to give them the chance to.

Along one of the side streets bordering the big compound a group and I encounter a charming little food truck. It’s an old woody station wagon, green and yellow, called The Mustard Truck. They serve warm pretzels and beer and English bar snacks. Surprised, I observe that it wouldn’t actually be that bad living here if there’s things like this to be found.

From the winding sidewalk of small park near a courthouse, I step into the street. I pass a woman I recognize, the wife of Sam Gamgee from Lord of the Rings. This would be Rosie Cotton as per the books — then again but I might instead be thinking of the actor who played Sam Gamgee. A little down the road I watch a car struggling to pass a lady dragging a cart as they’re all in a tunnel. She shouts “passenger!” as it overtakes her. A roundabout way of claiming her rights to use the road (just as a car) but avoiding shouting “car” because that’d only reinforce a second-class ideology. Car, apparently, being the traditional shout.

I’m sitting across the table with some female YouTuber, someone whose stuff I watch (can’t recall who though). We discover we both know this cart lady. I relate this story of her shouting in the tunnel and we share a good laugh. I list a bunch of other YouTubers who might know her (this is why I can’t pin down who I’m talking to: I mention everyone I might be talking to).

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Dream Journal

Idyllic Small-Town Plum Falls

A custom-designed webpage prototype with four alternate positive opinions for any submitted negative. Creates URLs for its suggestions. Created by a short girl wizard, who’s becoming a bit famous for it. (I’d guess this was D. Baskin, whom I just re-discovered after meeting her at a wizard party in March this year.)

My family’s got a new fridge, so big you swing open the door and have to walk up to the inside. I lean over the front shelf and discover rows of of wheeled container stacks that roll, and beyond that a half-size kitchen. Remember that I have PBR in my crappy tiny dorm-size fridge that I could now bring. While inside, a corner with twin stoves, I knock loose one electrical clip plugged into the counter wall outlet. I then try to figure how to let my dad know.

Outside, on a street underneath the highway & close to the doorway, I watch a long car pull up (against advice). From it emerge a color-coordinated pimp-styled group, orange and gold and white everything. I continue off without gawking, heading the direction of a town my wife texted me from, hoping to surprise her — Plum Falls (a semi-inversion of my hometown, Palm Springs). I pass unexpectedly through an underpopulated corner of San Francisco, near the wharf, somewhere called like “Southeast Neighborhood” I’ve visited in dreams before. I cross the street at an oddly shaped intersection at Winston Way downslope of a curvy hill, jogging across as a car abruptly pulls around the bend.

I reach the quaint rural community of Plum Falls, a tiny 3-or-4 street grid town from out of my past in Oregon and/or Australia, cast in foliage of bright autumnal orange. Reminiscent of many other dream locations. I amble into a garage sale inside the house of an elderly, thoroughly-countrified man. But I wear no pants or underwear, shuffling side-to-side hiding my naked lower half. An excuse I use is that I just woke up from dreaming (what!?). As I’m behind the man’s table, I take my chance and finally wrap a black t-shirt to cover myself. The man has a only a few items laid out sparely, each clearly special and treasured, and the one he’s pitching to me is an old hand-bound bible. It’s beautifully crafted, raw-edge leather, highly textured and deckled paper, embossed gold lettering (some of it in Ge’ez script)… but unfortunately the font gives away that it’s much newer than it might seem, especially with its deep modern-styled embossing. I find a way to turn him down gently, especially considering his high asking price, but I’m immediately distracted by another book sitting on the corner of his table. A stubby thick hardcover with glossy dustjacket, I remember thinking I’d glimpsed someone casually drop it there while we spoke. It’s a book by none other than Chicken John. I’m forced to improvise an explanation for how I know him, going into how we “collaborated” and why we “fell out with each other”. The experience is terrible: alienating, frustrating, embarrassing, and ultimately useless. I unwisely make the open claim that he must’ve put that book there himself, just recently. All rapport is gone now, and the countrified old man has lost interest in me.

The next day I’m idling along near (but not on) one of the few sidewalks in the dusky town. I spot a familiar figure from behind, and approach him from the side. Turning his shoulder, I stare into the face of Chicken John, who looks more ginger-haired and solidly mustached (almost like my 4th-grade teacher Roy Suggett — if you’re out there, Mr. Suggett, you’re still my favorite). I lead Chicken back to the house where I was yesterday and allow him to believe there’s no one there. He unlatches a small window and reaches in, only for the old man from the garage sale to poke his head out saying “Excuse me. Hello?” I gesture meaningfully, demonstrating that what I said yesterday was true, and exposing Chicken for whatever scheming he planned against me.