An auto updating input window surrounded by a circle overlays the dream. Soon, if gets updated with info from Madeline Mladich.
I’m lying on the top back bunk of a row of communal bunks one day, reading Wikipedia while everyone else is out. A bald heavyset dude peeks in randomly, making an expression like like I might be in what he feels is an incorrect bunk. So I move down to the lone single level bed, then after he leaves, into a lower bunk next to it where I’m unlikely to be noticed. That’s where a girl finds me… a girl that seems to have specifically sought me out.
After a brief but very good conversation (where I somehow feel compelled to convey the importance of my contributions during the night, when I usually choose to work) she leans over the bed and gives me an absolutely glorious kiss. Our time available together, I realize, is far too short, and I get the idea to have her write down her info. The input window hovering over the dream updates — I feel like our relationship is solidified, saved in the computer memory sense. Madeline Mladich.
I show her some of my work, zooming around a simplified model of the city (still quite complex), overlaid onto the city itself. We’ve recently expanded, and I’m aesthetically placing more structures in the center of map, choosing as much as possible to stay away from downtown and the older well-established parts of the model.
Later on I’m walking up and down the narrow communal hall, knocking on white-painted doors looking for anyone who knows what the pink glitter paint I keep seeing on the doors means.
I’m in a part of the Ukraine. I explore a probably abandoned white building glinting in the weak spring sun. All the walls and ceilings are glass window-frames, like a greenhouse, but I get the impression this was light manufacturing of some kind. There’s a hobo-like character on roof helping me, and he spots a terminator robot outside for me to avoid. I can see it’s dark outline and the bright red blotch of it’s eye.
