Tag: choir

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Dream Journal

Midnight Menagerie, Starfish Swansong

extracted cut-out collage artwork from album cover

Donald Trump’s existence suggests an axiom: the higher the getting, the bigger the dark side.

Being hosted at some guy’s elaborately-decorated stylish apartment, white walls and expensive décor, a congenial upper-middle class bougie gay dude. He gives up his bedroom per my request. In the middle of the night I’m awoken and think I’m being visited by a group of raccoons, but it turns out to just be a few of his cats.

Later, I think it’s happening again so I stay asleep. Yet slowly I realize that in the bedroom with me are a whole menagerie of apes, macaques, zebra, even a giraffe maybe. This is his personal zoo, something he acts like I should be impressed with, while he himself acts nonchalant. It is (I admit) bizarre and impressive. Doubly so with the apartment’s trendy Instagrammable Pinterest-y surroundings.

(This is midpoint of my night’s dreams, which I remember when I wake up earlier in the night — for real — with some insight into my own progressed technique into the writing of dreams. Yet I still don’t wake up to take notes on it, worried I might not get back to sleep…)

In the classroom of a middle school, which feels near the coastal location of my University. I’m my current age, hanging out in bookshelves behind the rows of desks observing class, but I pop in occasionally, keeping tabs on the teacher and mingling with students.

A class lesson: “what’s wrong with this cream cheese recipe?” I personally think they added lemon juice, or didn’t use real cheese. Moving past, the teacher calls on me, somewhat jokingly. Nose in a textbook, I respond mispronouncing ‘book’ like ‘boooook’. She responds in the same joking tone that we’ll name our next lesson’s monster “Orin”.

I abruptly notice that a green starfish kid in the front row has suddenly developed injuries consistent with exposure to a contagion we studied in class. Teacher has also noticed but is playing it off so as not to alarm the students; I don’t do so well hiding it. We help get the student out. Afterwards I take time reflecting on it in the bookshelves.

I return just a bit later, but class appears to be over for that year. Instead, the room is occupied by a choral group of young kids, 4-6 years old, in flowing robes with hoods, singing what could be a Buddhist funeral dirge. Their parents wait behind them to take them home, some breaking down crying. It’s obvious the starfish kid didn’t make it.

Jolted, reminded of life’s brevity, I set aside time to enjoy hanging out with one particular girl I like who reminds me of a fun redhead I knew in high school — Sam Promenchenkel. She’s quite taller than me; my head reaches just under her armpit. With a group we stroll along a stepped boardwalk away from the school. On the way I’m goaded into doing a scooter trick up some stairs, and manage to leap all the way to the second-to-last step, where I do a little bounce and make it all the way up.

My cousin Betty is with our group, skipping away ahead of us toward her wife. She seems so happy and excited, I’m very happy for her, though I watch her get further and further away.

We get to the ocean and do tricks leaping into the surf on scooters. Someone brings up how left-brain-focused people will typically veer to the left and miss their mark on the waves. We practice crossing our eyes, water streams squirting from our pupils, trying to get the streams to meet where we want.

Music in my head upon waking:

Heartsrevolution – Heart vs The Machine
Architecture in Helsinki – Heart It Races
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Glot

Bulgarians

Odd to think there’s a whole country of them. Well, I mean, I’m sure there’s not a whole country full of them who can sing like Le Mystère des Voix Bulgares, but still… the music is fascinating. It was when I went to see them perform at Grace Cathedral on May 28th.

I couldn’t tell you exactly where we sat (as Lynae decided to come at the last minute), it’d be the front row of the back section (apse?), carefully behind the singers… my architectural jargon isn’t up to spec. Nor could I try and easily explain how I became interested in this specific musical niche, the convoluted methods that I useta employ finding listening material. I can’t even tell you what I heard… not would I care to try and learn (then explain) what modal scales or dissonant harmonies are.

I found a recording that might possibly clarify. At right, the group sings one of our less sophisticated American folk songs. The harmonies are totally off, aren’t they? Not off, just… odd. They’re of a different logic. The mentality is different. Sitting there, listening to song after song and having a different internal experience each time, I envisioned mountain landscapes where women signal to each other over vast distances. The microtonalities made sense, because doesn’t a nuanced emotion deserve expression as much as a powerful one?

Dressed in their traditional outfits for the first half, they were a little too precious. I waved at one of the resting soloists and she waved back—just in time for me to bashfully turn my head. These were Bulgarians! How many times had I listened to them on my iPod on the subway? And here they were in their delightful little Bulgarian costumes! The second half was much better for me; dressed in formal blackwear, coven-esque, it became only about the music and less about the novelty of having an ethnic experience (for an ethnic group, I might add, that I’ve personally checked in to stay at a hostel where I worked).

It was surprisingly immersive; songs were in a different scale for hours afterward. It was a joyful way to break out of that subway. It made something which had become just “one more thing I’m into” and made it “something I’ve done.” It was a good thing to spend fifty bucks on.