Sliding down a long wide slope of water, riding a boogie board attached by rope to a remote-controlled motor. Meet my brother at the bottom of this spillway and we talk about how fun yet frightening it is. The water is startlingly deep and dark for a pool despite civilized touches, like the pleasant collonade at water’s edge.
I’m with a subby girl who might be a satanist. She has a distinct, plump shape and is usually seen intently talking with her boyfriend (also a satanist). It’s clear she has a keen interest in murder, perhaps even a fetish for being murdered. (Probably derived from the Silicon Valley characters Gilfoyle and his girlfriend Tara, who I just learned were also satanists.) There is an acknowledged creepiness to this, and I do worry about being drawn into it or even blamed somehow.
Off to the side of the vast slide area is an anteroom, part of a museum. The cases have a display of California coins you can leaf through. I knew that before the Federal Reserve Bank, states used to mint their own currency. But I never thought to check before.
My tenth grade English teacher Mrs. Roos assigns homework: the paperwork they give you to fill out when checking in to the mental ward. The forms are oversized to be able to read it, copied from real materials but structured like every other generic homework assignment. Supposedly this is too help us understand what a character in our book I going through when she goes to the mental ward. I approach Mrs. Roos in what can only be described as a sanctum; darkened archways, candles, burnt offerings. I explain playfully but confidingly that I might skip the exercise, even deserve extra credit — you see, I once filled out these forms myself at the mental ward. How better to relate to the character than to have had to same experience?